$3,899.00 - A superb baritone that will blow the doors down! This Grassi has a tone that blows us away for its "crispness" & "bark". It reminds me of Keilwerth bark, but with slightly less spread in the harmonics. It may be the model: [Professional], not the "Professional 2000" intermediate level that would be engraved on the bell, due to the elongated C/Eb key touches (added modern comfort). I will be doing more research on these very soon. There are other great features also: Grassi's elaborate tune rings, bell engraving, F#-arm adjustment screws, ...note that there is no high F#. There is only one small dent to mention on the lower, front bow--*I can take this dent out; It will clean up nicely. There may be a few small pings on it too. She's not perfect, but she is very very pretty. Not many people have ever played a Grassi, even more so, there is not a ton of information on these. These were "Made in Italy" and do have a respectful following - as long as you are working with the professional model. This #64k is later in the factory run. CASE: Original Grassi Hard case. It is a little lighter-grade, (light, and a little flimsy) but overall it's in excellent condition. FINISH: Original Lacquer Body & Keys. SOUND: Powerful, presence, a little "bark", crisp. This is not ideal for quiet chamber work. (I really liked the tone with a Medium Chamber mouthpiece best -- see: similar to Yamaha 5C or Meyers, as an example.) PADS: Current pad setup is original and plays very well. It has tan pads and larger metal resonators - nickel; with a seamless, light dome; and no-rivet. I think you could fall in love with this sax as-is and enjoy it for several years without needing major pad work. I am happy to tune up the sax with some precision. There are minor things that I'd love to perfect. Any one who actually knows what these horns offer will agree with the common statement: "These horns are highly undervalued, and offer you more for the money than many others in the same price range". Item #:WWS2E4.6E184.108.40.206-F
$1,299.00 - A "diamond in the rough" alto! This little Grassi has a tone that blows us away in the shop. It reminds me a of the French tone that everyone is after. Not many people have ever played a Grassi, even more so, there is not a ton of information on these. These were "Made in Italy". This #27k is right on the cusp of the model change over into the Jade Roller series. I cannot say if this sax is a true transitional-era sax with the black rollers, or if they were changed out. But this one has a black G# touch. However, the octave thumbrest is that correct Jade coloring. There are 3-4 resolders, and dented C-post that I'll work on. The needle springs are working great. FINISH: Original Lacquer Body, Nickel Plated Keys. SOUND: Sweet, vintage, French-like. Current pad setup is a stock Selmer-style with plastic resos. It plays well enough to hear the sweet tone, but I think that you'd really fall in love with this sax with a fresh WWS Rebuild and pads chosen for your preferences. ***WWS Rebuild included at the listed price.*** Any one who actually knows what these horns offer will agree with the common statement: "These horns are highly undervalued, and offer you more for the money than many others in the same price range". Item #:WWSE3.5E0.131.17-X
SOLD! - An excellent, original lacquer example of a highly sought after sax. Serial #275k puts it right at 1936. This This horn was actually sold prior to arrival here because it was Scouted for a customer (a service that we offer). We located the sax from a client/collector in Mexico and helped the searching client in Texas, USA acquire it. During the matchmaking, I was the mid-point for inspection and verification. Here was my picky review upon getting the sax:
I just finished a few playing passages on the 26M. It is a sweet sweet tone. It is not huge in tone, but a mellow singer. (this on my Woodwind Co., large chamber mouthpiece tip at 0.075") VERY PICKY INSPECTION:
-minor dings to the neck
-evidence of dent work on the bow(by C# pad).
-neckstrap ring repairs 1) the base was resoldered.
-neckstrap ring repairs 2) the loop has added metal from wear.
-/+ repairs to dented thumbhook. excellent repairs of dents, and any resolders.
+very clean pearls
+good repair work on the last repad. It was loved by the owner (he did the work).
+ZERO missing set-screws. Awesome!
+upgraded replacement case. (wood)
+no evidence of past swedging work
+++ a beautiful horn.
Pads = a modern tan pad, with slight-domed resos and rivet (like a modern Selmer, Jupiter...)
It was very enjoyable to play!
$450.00 - Tip seal was enhanced here at WWS for very minimal change [near original tip at 0.118"]. With original ligature and cap.
SOLD - vintage plastic mouthpiece with good material; no serial number keeps the price lower!. The original tip is at 0.069" , vertical table markings. side-walled chamber and a true Brilhart-tonalin-ebolin sound = clean, simple, warm. Less cut in the tone. Item: WWSL4.7W6.12151.6-004
$129.00 - Vintage hard rubber from 1930s. It has a large Chamber and I just had Bob Carpenter open it up to 0.071". It plays really easy. I would say it sounds typical of a stuffy, vintage tone but after Bob's work, it can cut through in the high register--still not as loud of a mpc as others. no ligature, sorry. Item:WWS00.2121.4-0GOMZ
SOLD - (ON CONSIGNMENT - "Plays Great") Pad set up is currently white roo pads, plastic resonators (Selmer style). Being sold for a local musician who has used this sax on several gigs. Use the pictures to see how beautiful she is.
CASE: SKB molded hard case.
SOLD - player/collector's delight, ORIGINAL lacquer 93%! Will need a full rebuild to be fully enjoyable, however, I will tune it up so that you can play test it on the old pads. There are signs of pull-down (repaired here at WWS). Serial number on the neck matches the body "120,08x"
CASE: original Selmer wood case in nice shape; orange with latches, not zippers.