Category Archives: Archived

Archived Inventory

Wolfe Tayne ‘Gold 4*’ Alto, Gold Plated – 0.072″ (Archived)

SOLD - Gold plated alto mouthpiece in excellent shape. The machining on the table (horizontal) indicates it's the 'older' version of the WT mouthpieces. I am not sure if they were using the same machining as Brilhart though (horizontal in the 1970s).
SOUND: They maintain easy playability with a centered tone that still has controllable power it in. One I had (a larger tip) was one of the most amazing alto mpcs I've seen in a while - the first customer to try it, bought it!
Comes with replacement, ligature (wrap) and cap (plastic).
Item: WWSL3W5.2W5.3311.7-C0-003

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Yanagisawa ‘Metal #6’ Tenor, silver – 0.088″ (Archived)

SOLD - These are well-loved and respected mouthpieces. This one is marked down from the $200+ pricing for the silver wear. Also, there is a clear tooth pad guard installed. SOUND: They maintain easy playability with a centered tone that still has controllable power it in.
Comes with replacement, brass ligature. These don't stay in stock for too long.
Item: WWSL3W5.0W0.3311.7-C0-005

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Otto Link ‘Super Tone Master – 9*’ Tenor, Florida USA (WWS reface)- 0.123″ (Archived)

$950.00 SOLD - Ultra rare, side-stamped 9* tenor mouthpiece. It arrived with a 0.120" tip that had crooked rails and a poor tip seal. It also had a custom baffle that we took out. The tip and rails looked original, so I must conclude that it took a tough bump along the way. Otherwise, no other obvious damage to figure out that story. It is currently paired with a 1990s/00s ligature. This era is a great era of mouthpieces and now plays easy after the refacing work. TONE: Huge tone/resonance in the low end, a more medium tone in the middle and high ranges. This era is known for regaining the warmth as the baffle leveled/rounded out. I know you'll want to try this one. WWSL0W3.0W0..3311.7-C60-006

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Holton 1930 ‘Rudy Wiedoeft’ Eb Alto, Silver #39k

$1,699.00/TBD - A collector's joy and diamond-in-the-rough alto! I am so tempted to keep this one for myself. It has trill keys, unique venting, neck tuning adjustment, and more! The Frank Holton Company operated in Elkhorn, Wisconsin, USA. The "RW" model is one of the more popular. This sax features:
--C1 venting
--G# trill
--Eb trill
--Eb3 trill
--Neck tuning adjuster
FINISH: Original silver plate, in excellent 90%+ condition
SOUND: Sweet, vintage, ... more to come here...
Current pad setup on arrival was a rivet, no reso. The tone was restricted. It plays well enough to hear the sweet tone, but I think that you'd really fall in love with this sax with a fresh WWS Rebuild and pads chosen for your preferences.
***WWS Rebuild included at the listed price.***
Item #:WWS2.5S0.00.521.7-0

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Buescher ‘Whitehall’ Baritone, 1940s (WWS Reface) – 0.102″ (Archived)

SOLD - Custom Reface! + Large chamber! - A vintage hard rubber mouthpiece that is a copy of a vintage Buescher that I would approximate from the 1940s. This one had a large chamber and the original tip (needing some minor seal help) at 0.074" on arrival. Now it measures 0.102". it is an easy blower and has a big sound. It must be a unique blend because you seldom see a large chamber that remains with a high-rollover baffle. Large chamber & high baffle from custom reface. Item: WWSL4.7W6.12151.6-018

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Selmer ‘AS500’ Eb Alto, #AK04xxx, Like New (Archived)

SOLD - These are great for kids. The name brand, nickel plated keys (stronger), and easy ergos. I got this one and suspect it was a floor model or unsold inventory because it it "like new" condition. It would seem wrong to turn this beauty into a rental, so I hope had it off to your child who will keep it nice. Comes with original case, and a mouthpiece. I'll see if I can help with any other accessories too. From Conn-Selmer.com: "The Selmer AS500 provides a great addition to the array of student through professional model saxophones available from Selmer. Beginning musicians and their teachers will notice the many design features that ensure a comfortable playing position for young hands. Features such as the adjustable right hand thumb rest and the linear design of the left and right hand key sections will help students get off to a great start. Young performers will value the high F# key that extends the range of the saxophone to facilitate performance of advanced literature. Parents will appreciate the durability of the nickel-plated key mechanism and the addition of a support guide to protect the vulnerable right-hand trill key hinge rods from damage. The innovative change of lowering the octave key pin flush with the top of the neck receiver will protect it from damage, especially when students forget to use the end plug. These are just a few of the special design features that establish the Selmer AS500 Eb Alto Saxophone as a noteworthy addition to the Selmer family of high quality instruments.
Nickel-plated keys, a high F# key, left- and right-hand section-adjusting screws, an engraved bell, clear lacquer finish over brass, rocking table key mechanism with articulated C# adjusting screw, an adjustable right-hand thumb rest," Item #:WWS4.9E9.50.381-7-0

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Keilwerth 1992 ‘Buffet Expression’ Bb Tenor, #98k (Archived)

SOLD - A pro sax that is the precursor to the Julius Keilwerth SX90. Don't let the "Buffet" label fool you; this is a Keilwerth sax. complete with the C/Eb design, high F# layout, and don't forget the adjustable palm key heights too! Serial # 98,xxx, it was built in about 1992. The dating is less exact on this era, but all info points to 1991-93. In the history of companies, Buffet and Keilwerth came under one ownership. Rumors from a friend/player in Iceland: These being made in the Buffet factory for Keilwerth. This seems correct as the pearl design is not that of Keilwerth (large version), but more like Buffet. SOUND: These are supremely warm and meaty, although not as meaty as my Couf or older JKs. I must insert the rumor here: factory talk of blending the JK with Buffet to build a [JK classical tone]. It this is true, I concur with this attempt because the sound is a bit more focused and reserved than my other Keilwerths in the shop (and my personal horn). REBUILD: I'd like to sell this with a full rebuild, and set it up to your specifications because it is playing on the original pad setup and it beginning to show age beyond what will be enjoyable. Let's discuss what you'd like; otherwise, I can put the JK Standard setup on it: seamless-domed, nickel resonators, on tan pads. CASE: original case in good condition.

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Grassi 1993 ‘Professional’ Eb Baritone, Low A #64k

$3,899.00 - A superb baritone that will blow the doors down! This Grassi has a tone that blows us away for its "crispness" & "bark". It reminds me of Keilwerth bark, but with slightly less spread in the harmonics. It may be the model: [Professional], not the "Professional 2000" intermediate level that would be engraved on the bell, due to the elongated C/Eb key touches (added modern comfort). I will be doing more research on these very soon. There are other great features also: Grassi's elaborate tune rings, bell engraving, F#-arm adjustment screws, ...note that there is no high F#. There is only one small dent to mention on the lower, front bow--*I can take this dent out; It will clean up nicely. There may be a few small pings on it too. She's not perfect, but she is very very pretty. Not many people have ever played a Grassi, even more so, there is not a ton of information on these. These were "Made in Italy" and do have a respectful following - as long as you are working with the professional model. This #64k is later in the factory run. CASE: Original Grassi Hard case. It is a little lighter-grade, (light, and a little flimsy) but overall it's in excellent condition. FINISH: Original Lacquer Body & Keys. SOUND: Powerful, presence, a little "bark", crisp. This is not ideal for quiet chamber work. (I really liked the tone with a Medium Chamber mouthpiece best -- see: similar to Yamaha 5C or Meyers, as an example.) PADS: Current pad setup is original and plays very well. It has tan pads and larger metal resonators - nickel; with a seamless, light dome; and no-rivet. I think you could fall in love with this sax as-is and enjoy it for several years without needing major pad work. I am happy to tune up the sax with some precision. There are minor things that I'd love to perfect. Any one who actually knows what these horns offer will agree with the common statement: "These horns are highly undervalued, and offer you more for the money than many others in the same price range". Item #:WWS2E4.6E3.35.222.17-F

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