Category Archives: Baritones

Archived Baritones

Rousseau ‘Jazz Model JDX #6’ Baritone – 0.103″ (Archived)

SOLD - A hard rubber mouthpiece that is a great addition to any player and especially those on a budget. I really admire the Rousseau company for making quality mouthpieces that don't break the bank. New pricing is $140-190.00 ... come quick!
Marketed Description via WWBW:
"The JDX series of jazz mouthpieces features a unique wedged baffle that allows the performer to balance a stable sound with maximum power, edge and projection"
Item: WWSL3W6.2W5.6281.7-003-0

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Grassi 1993 ‘Professional’ Eb Baritone, Low A #64k

Reduced $3,299.00 - A superb baritone that will blow the doors down! This Grassi has a tone that blows us away for its "crispness" & "bark". It reminds me of Keilwerth bark, but with slightly less spread in the harmonics. It may be the model: [Professional], not the "Professional 2000" intermediate level that would be engraved on the bell, due to the elongated C/Eb key touches (added modern comfort). I will be doing more research on these very soon. There are other great features also: Grassi's elaborate tune rings, bell engraving, F#-arm adjustment screws, ...note that there is no high F#. There is only one small dent to mention on the lower, front bow--*I can take this dent out; It will clean up nicely. There may be a few small pings on it too. She's not perfect, but she is very very pretty. Not many people have ever played a Grassi, even more so, there is not a ton of information on these. These were "Made in Italy" and do have a respectful following - as long as you are working with the professional model. This #64k is later in the factory run. CASE: Original Grassi Hard case. It is a little lighter-grade, (light, and a little flimsy) but overall it's in excellent condition. FINISH: Original Lacquer Body & Keys. SOUND: Powerful, presence, a little "bark", crisp. This is not ideal for quiet chamber work. (I really liked the tone with a Medium Chamber mouthpiece best -- see: similar to Yamaha 5C or Meyers, as an example.) PADS: Current pad setup is original and plays very well. It has tan pads and larger metal resonators - nickel; with a seamless, light dome; and no-rivet. I think you could fall in love with this sax as-is and enjoy it for several years without needing major pad work. I am happy to tune up the sax with some precision. There are minor things that I'd love to perfect. Any one who actually knows what these horns offer will agree with the common statement: "These horns are highly undervalued, and offer you more for the money than many others in the same price range". Item #:WWS2E4.6E3.35.222.17-F

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Buescher ‘Whitehall’ Baritone, 1940s (WWS Reface) – 0.102″ (Archived)

SOLD - Custom Reface! + Large chamber! - A vintage hard rubber mouthpiece that is a copy of a vintage Buescher that I would approximate from the 1940s. This one had a large chamber and the original tip (needing some minor seal help) at 0.074" on arrival. Now it measures 0.102". it is an easy blower and has a big sound. It must be a unique blend because you seldom see a large chamber that remains with a high-rollover baffle. Large chamber & high baffle from custom reface. Item: WWSL4.7W6.12151.6-018

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Other: ‘”Ideal” R3’ Baritone, Rubber – 0.070″ (Archived)

SOLD - "Ideal" R3 baritone: Hard Rubber, medium-large chamber mouthpiece. Tip at 0.070" (compare to a Selmer C* at 0.080), These are nice Classical mouthpieces. The "ideal" mpc on the sound file is only a "3" (not R3). "R" = their larger chamber. This is one that I would offer a Bob Carpenter reface for $60 more if you need to sculpt it to you liking. Sorry, no ligature.

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