Category Archives: Chadd’s Collection

Chadd’s Collection

Dukoff ‘D8 – Nickel Plated Brass’ Tenor, Ser# – 0.112″

$699.00 - These are often called the "Transitional" model as they were after the brass era (BD and Stubby) and before the Silverite ("Miami, FL").
The original tip @ 0.112" was touched by another famous mouthpiece refacers. It plays as big and awesome as Sarge's did! (I put them side by side).
Repairs: The rails has some brass showing so I silver plated the rails to seal them.

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Keilwerth 1958 ‘Tone King’ Bb Tenor, w/ F#, Silver #32k (Archived)

SOLD - Rare. Stunning condition. Deluxe JK. A silver plate, professional Julius Keilwerth with high F# key, and G# trill, and the plastic guard in tact. If this is for the collector in you, I might even throw in a JK slimline mouthpiece to the sale of my baby. She is not perfect, as you can see the dreaded sax-stand scratches on the bell. 
PADS: She was rebuild elsewhere with black roo pads and plastic resos. (The pads are far too new/nice for me to be unhappy with the setup that was choosen, so I will leave them. JK would have had domed-metal resos originally.)
CASE: Original "JK" emblemed, green case in excellent condition. It's super cool to see these with the case, but they are hard to trust for safety of the plastic guard. 
Item #:CP-WWS1E5.7E8.58.10181.7-98

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Holton 1930 ‘Rudy Wiedoeft’ Eb Alto, Silver #39k (Archived)

SOLD - A collector's joy and diamond-in-the-rough alto! I am so tempted to keep this one for myself. It has trill keys, unique venting, neck tuning adjustment, and more! The Frank Holton Company operated in Elkhorn, Wisconsin, USA. The "RW" model is one of the more popular. This sax features:
--C1 venting
--G# trill
--Eb trill
--Eb3 trill
--Neck tuning adjuster
FINISH: Original silver plate, in excellent 90%+ condition
SOUND: Sweet, vintage, ... more to come here...
Current pad setup on arrival was a rivet, no reso. The tone was restricted. It plays well enough to hear the sweet tone, but I think that you'd really fall in love with this sax with a fresh WWS Rebuild and pads chosen for your preferences.
***WWS Rebuild included at the listed price.***
Item #:WWS2.5S0.00.521.7-0

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Woodwind Co. ‘Chester Hazlett’ Tenor, 1930s/40s (RAC reface)- 0.090″

$325.00 - Another rare mouthpiece listed, it was named after the saxophonist in the Whiteman Orchestra of the 30s and 40s. Terrific material and good classic design...very similar to "The Woodwind Co." models... Large chamber makes for a big vintage sound. But also more suitable for Concert Bands and jazz alike. Bob Carpenter just opened this one up to a easy blowing 0.090" with a 21mm facing length and inscribed the his "RAC 90-21" on the table(sign of Bob's heartfelt workmanship again). The crystallized yellow band IS original! sorry, no ligature.
This has a great mellowness to the tone and blows Outstandingly easy! I REALLY wanted to keep this one when I got it back from Bob. It plays so much like my Tonalin 5 (I use on most sound files) that it must be an Alto player's delight at that 0.090" tip. = plays like butter!

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Martin 1963 ‘”Official Music Man Model”‘ Tenor, #218k (Archived)

SOLD - Sometimes I get the sentimental stories to enjoy: previously sold and shipped around the world, this sax was repurchased by WWS (Consider that I should stash this in Chadd's Collection). I'll list it for sale at this time even though my other Martin is also for sale (at the time of this posting).
Serial #218k with Black Roos, HUGE silver Resotech resos! This was one of Sarge's Collection saxes. He first got it in original condition and gave it his favorite rebuild setup. He recorded a few tracks on it. We sold it to Switzerland and I had the opportunity arise to buy it back. I took it! It was loved, and played while away. I feel the need to mention a few dings that just happen. The Eb guard was burnished out by me, as well as a little burnishing on a few ding in the bell and bow. The bow guard (front bottom) took a small hit too. Your eyes don't notice these things as you are certainly more drawn to the engraving that is full and crisp.
CASE: Comes with original, orange Martin case in great shape also.

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Martin 1947 ‘The Martin Tenor’ Bb Tenor, “Martina” #164,360 (Archived)

1948 "The Martin Tenor" a beauty from Chadd's Collection [gallery link="file" columns="5" ids="6361,6362,6360,2962,2961,2959,2957,2956,2955,2949,2951,2952,2953,2954"] [content_box custom_class="block_1"][row][span8] Price: $Sold [/span8][/row][/content_box] [row] [span4][caret_list] Year:  1948 Make:  Martin Model: "The Martin Tenor" [/caret_list][/span4] [span4][caret_list] Status:  Sold! Finish: original lacquer Serial Number: 164,360 body, 163k Neck [/caret_list][/span4] [/row] "pretty player", black roos pads -May I introduce you to my original "Martina". It's a…
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Guardala ‘DG Studio’ Tenor, Ser#5496 – 0.111″ (Archived)

SOLD - Yep. The Bomb right here. The handmade greatness, # 5496 with "DG" on the front. "Atilla" on the lower shank (???). Original tip @ 0.112" on arrival, but I needed to repair the rail-seal and metal flaking off. WWS REPAIRED TIP @ 0.111". Repairs consisted of seal enhancement and new silver plating to the table and rail edges. Currently, I don't have a ligature paired with it but I'd be happy to look for a good one for you. A slight tooth groove in the bite pad, and a new clear pad stuck on.
Original Guardala memo:

"STUDIO: This is the third brightest of the tenor models. It has tremendous volume with unexcelled resonance and a full and balance frequency response. This model incorporates a high baffle with a medium bore. the sound of this model is clearly demonstrated by Michael Brecker in the period 1979-1982 [Brecker Brothers Band]. The studio can be used for all types of music a 'Studio Man' would encounter from Fusion to Swing, hence the name. This is our middle of the road mouthpiece."

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SML 1955 ‘Revision D’ Bb Tenor, Perma-Gold, 99% #12k (Archived)

SOLD - These are superb tenors, made in France and rare as well. This one is in original perma-gold plate that I will call 98%. The Rev D is very well respected and known for a uniquely special tone. This sax has a nice engraving and I love the shiny vs matte look SML created in this original setup. Serial # 12xxx = 1955, Gold Finish was SMLs top option and super rare, thus the price. SML saxophones have a big Conn 10m like sound, but the advantage of french mechanical design, so they are more ergonomic. The SMLs really do have a sound all their own--French focus crossed with American Beef--Superb! Did I mention that my personal alto is a Rev D?!?! The case is currently a none original vintage case is nice shape. This one has yet to be rebuilt but it completely deserves "The Sarge Special Rebuild"--Premium with larger resos (Resotech-gold ones!). Price includes the deluxe rebuild!
This sax is one that I wish I would have kept.

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