Category Archives: Archived

Archived Inventory

Dukoff ‘D6 – Silverite’ C-Melody, Transitional, (WWS Reface) – 0.071″

$699.00 - A uniquely, ultra rare Dukoff mouthpiece from Chadd's Collection that matches all the design measurements for a C-Melody mouthpiece.  It was really tricky on arrival and it sent me into heavy research.
The photo comparisons sum it up though. It contained elements from two eras of Dukoff: the Nickel Plated Brass(NPB), and the "Miami, FL" Silverite models:
-made of Silverite
-Vertical "D6" label (like Silverite)
-short shank (like Silverite Alto)
-small bite pad (like NPB model)
-"Dukoff" script (like NPB model)
-Nickel plating over the silverite = True Transitional! wow!
***Reed Window is a match for the length of vintage rubber C-Melody mouthpieces.
Item: WWSCBP00.00.03301.8C200

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Conn 1932 ‘6M’ Eb Alto, Transitional #253,3xx (Archived)

SOLD - The lowest-priced, rolled-tone-hole Conn that I've ever listed!!! One of the sought after Conn 6M Serial #s 253k, with rolled tone holes, G# trill key and underslung octave. Some medium damage to mention happened to the lower bow and some major damage to mention is the top of the neck. This may or may not be worth the worry to fix. I'm open to discussing it.
PADS: It has a recent tuneup from unnamed, out of state shop... most all the pads look decent except 1-3. Tan Pads & plastic resos.
TONE: It will be rich like a 6M. Expect it on the darker side due to the Ser#.
CASE: Currently with a vintage Martin case that is a poor fit. I wonder if I have something better around the shop... 

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Selmer 1951 ‘Super Balanced Action’ Bb Tenor, #43,32x (Archived)

SOLD - A One-Owner horn that was bought IN Paris while on military travels - selected and "a special order one", according to grandpa. This horn was played to the respectful level; aka: often & with love. It was loved enough to be preserved through a relacquer as well (antique value aside). There is no need to talk about this sax's sound quality. It plays with a smoky tone as expected, with the warmth and clarity of an SBA.  The finish is an 90% relacquer; most of the wear is on the neck. Serial #47,32x dates it to the beginning of the 1951 year.
PADS: They are are a mix of three eras: alright, old, and older. You are welcome to discuss tune-up work with WWS or opting for a complete rebuild.
CASE: a square Protec case in good condition.

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Otto Link ‘Tone Master – 5’ Tenor, 1940s (WWS Reface) – 0.085″ (Archived)

SOLD - A #5 Tone Master tenor mouthpiece with original ligature - both at about 15% original plating on arrival. This mouthpiece has serial # K72 on it. It arrived with the tip at the original 0.080" tip size and the tip and rails are in good shape but they were uneven on one side. This was addressed in a reface and now the tip sits at 0.085".
TONE: Known for huge tone/resonance, "vintage smoke", Dexter Gordon all day. Evenness and sultry. These mouthpieces are known for ....vintage greatness.

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Selmer 1988 ‘USA – AS100’ Eb Alto, Silver Plate #824k (Archived)

SOLD - A entry-professional Selmer from the late 1980s - Model AS100(Omega). At #824k I will estimate its dating at 1988. Rare Silver plate in 97% condition. These are one of the best kept secrets in the sax world.--pro sax, "selmer", with all the ergos and tone you're after. Most people mistake the "USA" on the bell for the later student-line. Do not be fooled! She arrived with a few missing screws (I will replace with silver ones to match!) Future Rebuild: The specifics are yet to be decided. I would love to plan a Full Rebuild on this one with special pads and/or resonators. I'll shine up all the silver, and help her sing the doors down! Comes with a great Selmer hard case (like the Series I, II, III have) without the leather wrap, although the handles were repaired. Ask me about those.
Cosmetic Rating: 9.0
This sax will be a super cool sax!

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Selmer 1929 ‘Model 26’ Eb Alto, #10,6xx (Archived)

SOLD - An undervalued 1920s sax that plays awesome. This sax had work done here at WWS in 9/2017 where we did a Full Disassembly and new oils everywhere, as well as gave it a necessary tuneup. It has a modified Bb1 pinky lever from the previous owner -- to help with classical studies.
FINISH: Bare Brass. I do suspect that the sax was relacquered (or at least a light buffing) prior to its current finish.
ERGOS: Although from the early selmer era, the ergos are not as bad on alto as they feel on tenor. Only potential complaint may be the pearl G#. Otherwise, the previous owner used it for classical studies through school!
CASE: A tri-pack selmer case in excellent condition! Protected by the leather wrap, the wear and tear on on the handles and the wrap. the case is very well preserved. 
PADS: Sax has good pads, tons of life left with plastic resos.
TONE: a "crisp" vintage tone. This is not as smooth as the later Selmer that most people may know. More power than a Buescher, and a little less depth/spread/richness than a Conn 6M.

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