SOLD - A beautiful ONE-OWNER HORN. She's pretty. Need I say more? Ser #218k, ORIGINAL FINISH at 95%, with mostly original pads. Kept in the closest for the past 30 years. The original case is even plush inside.
SOLD - Originally bought new in a large lot from the 1990s. Note, oddly enough, the ligature is a bit loose to be a good fit.
Medium Chamber - built for "classic Jazz".
[like new, in excellent condition.]
This is NOT like the new ones that are hit and miss. This is a quality Otto Link material and design.
SOLD - Budget-Gigger: Conn "Chu" Tenor! This will be a great gigging sax for the venues that you want a killer tone and don't want to bring your high-priced sax. This one will be a great player, and it will help you not freak out over ding and pings. It has some of those that will be forever 'beauty marks'. It is missing the rear key guard on the Eb trill key. The finish on this sax is lacquer, but it was a [no engraving] Conn. So it originally was likely a nickel-plate sax. Thus, this is the 1st time lacquered, or a relacquer.
CASE: newer Protec XL ($250!) in great condition.
REBUILD: Rebuilt elsewhere, it has brown kangaroo leather pads with domed nickel resos. They look like musicmedic pads - they have lots of life left.
I'll go through this sax and give it a full adjustment, because it needed this on arrival, and I'll make sure it's ready to turn heads.
SOLD - From Sarge's Collection! - Full Package: Box, ligature and cap! Recently released to be listed "for sale" from Sarge's Collection. This mouthpiece has serial # M100 on it. It plays like butter. TONE: Huge tone/resonance, "vintage smoke", Dexter Gordon all day. Evenness and sultry. These mouthpieces are known for ....vintage greatness.
SOLD - Rare. Stunning condition. Deluxe JK. A silver plate, professional Julius Keilwerth with high F# key, and G# trill, and the plastic guard in tact. If this is for the collector in you, I might even throw in a JK slimline mouthpiece to the sale of my baby. She is not perfect, as you can see the dreaded sax-stand scratches on the bell.
PADS: She was rebuild elsewhere with black roo pads and plastic resos. (The pads are far too new/nice for me to be unhappy with the setup that was choosen, so I will leave them. JK would have had domed-metal resos originally.)
CASE: Original "JK" emblemed, green case in excellent condition. It's super cool to see these with the case, but they are hard to trust for safety of the plastic guard.
SOLD - Full Package: Box, ligature and cap! Who doesn't love a double-band? It arrived with a 0.079" tip that had a poor tip seal and unlevel table. I hate altering these great pieces, ...but it needed done. This era is a great era of mouthpieces and it now plays easy after the refacing work.
TONE: Huge tone/resonance in the low end, a more medium tone in the middle and high ranges. Evenness and sultry. This era is known for ....greatness.
I know you'll want to try this one.
WWS Refacing work: pending - seal plating (silver and gold on the table/entire mouthpiece!), included at the listing price.
PRICING OPTION: Ask me about refacing it, opening it up some more. Realistically, the max tip to get to on this one will be about 0.090-095". For the pricing of $1,199.00, this will also include plating the repairs.
(Thus, that is why the mouthpiece is in it's rough, arrival condition. PLATING WILL HAPPEN ONCE YOU HELP ME LOCK IN THE TIP SIZE. I only want to plate it once.)
SOLD - The rare OLDS Super tenor sax - in superb condition! These are strongly linked to Martins - think: Committee 1 & 2 blended. These are very well built saxes. There was a tone of love and craftsmanship in this era. This sax arrived in what I believe is likely the original pad setup from that era! - it is only a rivet in the pads, no resonators. The tone of it is thus muted and tubby. I should capture this for history's sake! At any rate, with a proper pad setup these will have a focused core tone and the small bore acts much like a Committee 1 & 2. The silver in very well intact, the neck has the matching serial number... CONS: There is solder evidence near the neck insert. My plan, address some of that on the body neck receiver, and silver plate any repairs (aka: make it awesome!). Otherwise, the sax is in excellent condition!
BEAUTY NOTE: I tried capture the luster of the pearls - I couldn't with a camera! These pearls glimmer with a green/turquoise hue that is so beautiful. I've also taken extra photos for documentation; and you'll notice that I have anti-tarnished/polished a few areas as a test. Enjoy!
CASE: A vintage wood case, with a white/yellow interior fuzz; likely the original also! It's only in "OK+" shape. A horn of this caliber should demand a new case, but I hate to separate the original parts.
REBUILD: Included in the price is a WWS Standard Rebuild: Prestini Tan pads, Resos at 60%+ (flat nickel with rivet), natural cork throughout, plus extra love for OLDS keywork. Ask me about special gold plating on the engraving or other ideas that we are considering.
2016 added research (to be continued): Prior to growing internet knowledge, Sarge used his collection and experience to help with the history and profiles on saxes. This horn needs an update to documentation: The CA company employed a former Martin employee. Thus the strong link in design from Martin. Was is made by Martin?-No; but you can clearly see the direct similarities.
SOLD - This mpc is a nice free blowing mpc with a tip measuring 0.089". Tooth pad in excellent shape. It blows easy and with a big sound with heavy mid tones for a metal, cliff-style baffle. Vertical denim table marks date it to the 70s as well. These are made of stainless steel.
Currently paired with the original ligature and cap (these are often lost and someone may try to separate these from me).