Category Archives: Tenors

Archived Tenors

Keilwerth 1958 ‘Tone King’ Bb Tenor, w/ F#, Silver #32k

SOLD/On Trial - $4,499.00 - Rare. Stunning condition. Deluxe JK. A silver plate, professional Julius Keilwerth with high F# key, and G# trill, and the plastic guard in tact. If this is for the collector in you, I might even throw in a JK slimline mouthpiece to the sale of my baby. She is not perfect, as you can see the dreaded sax-stand scratches on the bell. 
PADS: She was rebuild elsewhere with black roo pads and plastic resos. (The pads are far too new/nice for me to be unhappy with the setup that was choosen, so I will leave them. JK would have had domed-metal resos originally.)
CASE: Original "JK" emblemed, green case in excellent condition. It's super cool to see these with the case, but they are hard to trust for safety of the plastic guard. 
Item #:CP-WWS1E5.7E8.58.10181.7-98

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Jupiter ‘JTS-889SG’ Bb Tenor, #E20,xxx (Archived)

SOLD - A great sax in great condition! I like these as a great intermediate sax. Great Ergos, high F# key, nice original hard case. Made in Taiwan, #E0225x Model JTS-889.  Sterling silver neck! Currently in factory pads that come with slight-domed metal resonators. These have fast action and you'll love it over any student sax. They play a little louder with power and presence.
Cosmetic Rating: 9.0 -- Nice, minor tarnishing to note on the silver body.
CASE: Yes, the original hard case in "ok/good" condition. (There was a slight scent on arrival; it isn't something worthy of discarding the case so I will treat it with my deodorizers.)
All Student/Intermediate saxes come with, at least, a mouthpiece... and usually anything that came in the case with that sax.

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Martin 1948 ‘The Martin Tenor’ Bb Tenor, #166k

SOLD/ON HOLD - A beautiful "The Martin Tenor", with an early serial number (matching neck #), and many original features present: brown felt from the factory(under G# lever, F & A pearls, Eb lever), and of course the important tell: the rear sticker. There are some areas of the engraving that seem thinner than others, but due to all the other original factory parts, I still think this sax is factory original. That being said, this is one of the top-10 pretties "The Martin"s I've seen. The horn is in excellent condition and still plays very lusciously with the old setup (no resos, rivet only on some pads). there are only a few small dings to mention (photoed one on the bell lip), and some solder grit on the Eb key cup top, a few misc scratches, and wear on the octave key.
PACKAGE: It also comes with the Martin end cap, and an original Martin mouthpiece!
CASE: original martin case. The early era brown, wood case.
REBUILD: We are planning to offer this sax with a "Sarge Special" rebuild - Black Roo pads($100+), silver plated Resotech resos($200~), WWS Premium upgrade ($300), and full rebuild ($1000~). If you'd like to change these options/price we can discuss that. But we need to talk quickly to get this squared up.

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Yanagisawa ‘Metal #6’ Tenor, silver – 0.088″ (Archived)

SOLD - These are well-loved and respected mouthpieces. This one is marked down from the $200+ pricing for the silver wear. Also, there is a clear tooth pad guard installed. SOUND: They maintain easy playability with a centered tone that still has controllable power it in.
Comes with replacement, brass ligature. These don't stay in stock for too long.
Item: WWSL3W5.0W0.3311.7-C0-005

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Berg Larsen ‘100-3-M’ Tenor, 2000s Bronze (Gold Series), (RAC) – 0.107″ (Archived)

SOLD - Bob's Collection: Marked [100-3-M], this mouthpiece was enhanced to play better by mouthpiece guru Bob Carpenter. Even some of the great Bergs don't leave the factory playing very well. The "3" baffle does limit the treble (darkest setting), and you'll notice that it still contains the medium-core tone of a Berg. With the original Berg box, ligature and cap.
The description from the Berg Larsen website:
"Produced using the latest casting techniques, bronze is widely used throughout the music industry for its resonate qualities.
These highly polished mouthpieces are particularly resistant to tarnishing and are extremely hardwearing.
The insert is made from grained ebonite. Usually "SLIM" comes with chamber 0 or 1 and "NEW" with chamber 2 or 3. BUT they can be made according to your preferences."***This particular 0.107" Berg listing is the standard "New" width with the #3 chamber. (That means that it is a [cliff] baffle instead of the bullet chamber). Item: BC2W0.0W0.5201.7-BC

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Otto Link ‘Super Tone Master – 9*’ Tenor, Florida USA (WWS reface)- 0.123″ (Archived)

SOLD - Ultra rare, side-stamped 9* tenor mouthpiece. It arrived with a 0.120" tip that had crooked rails and a poor tip seal. It also had a custom baffle that we took out. The tip and rails looked original, so I must conclude that it took a tough bump along the way. Otherwise, no other obvious damage to figure out that story. It is currently paired with a 1990s/00s ligature. This era is a great era of mouthpieces and now plays easy after the refacing work. TONE: Huge tone/resonance in the low end, a more medium tone in the middle and high ranges. This era is known for regaining the warmth as the baffle leveled/rounded out. I know you'll want to try this one. WWSL0W3.0W0..3311.7-C60-006

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Brilhart ‘Level Air #7 < #9' Tenor, 2000s, (RAC) - 0.110" (Archvied)

SOLD - This is one of my favorite mouthpieces of the modern makers! (my bias is toward a #7 tip). This was repaired/refaced by master refacer Bob Carpenter. All repairs were silver plated to seal them. Although you can get these new for a little less money, this one was inspected and perfected by hand. SOUND: a depth in tone (like a Berg Larsen), which crispness from the metal (nickel plated brass). Comes with replacement, brass ligature.
Item: BC1W0.0W0.5231.7-BC

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