Worldwidesax - Fine Vintage Saxophones

  

Worldwidesax.com is a Saxophone repair shop that also buys, completely rebuilds and resells Vintage Professional Saxophones only.  Customers can see and hear what we have available at this website. (by appointment only).  We are not a "music store".     

click here for answers about rebuild pricing questions, or for our location or payment infoWe are located in WA state,  twenty minutes north of Seattle, WWS  business hours are Pacific time.

We don't accept credit cards in the shop, but you can use your credit card to pay through Pay Pal...  just log into your account and use the  "send money"  tab to make your deposit,  or payment, to worldwidesax@verizon.net     Please add a note in the message area, that states what it's for, with serial or other description, if possible.

Become a Fan of WorldwideSax.com on   Click It.  Feel free to comment, "Like", see...etc.

  We have a new email address !  E-mail "Sarge" or Chadd with  questions about Worldwidesax stock, at:  worldwidesax@gmail.com   

Below are the links to the various pages of the site, link access changes as you visit other pages, if you get stuck, use your back button to come back to the home page and click around  again.

If you wish to schedule a rebuild, or purchase one of our saxes (and it still needs to be rebuilt),  send us  a 50% deposit to hold your place in my work schedule.  I work from a published schedule (see left margin) so that your sax will only be out of your possession a couple weeks, while i do the actual work, it does not have to just sit on the shop floor, until it's turn comes up... you send it to arrive on schedule and we return it on schedule.

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About Relacquers

  E-mail "the sarge" with  questions about our vintage saxes at:   worldwidesax@gmail.com  

 Click the links above  to see what's in stock.   If  a horns says "just rebuilt", then it's ready to go, saxes that say "scheduled for a rebuild" are waiting for the work to be done, but it will be included in the posted price.  If a sax says "ON TRIAL" someone is taking advantage of our "Three Day Trial" policy (See Info and Orders page).

Here is a pic of some custom resonator work.  We can size the reso to your tonehole, or whatever you like.

RESOS.JPG (101033 bytes)

We can get you virtually any resonator made, my favorite is the  Resotech solid silver reso.

Check out our new page all about relacquers 

 

NEW!

WE DO GOLD AND SILVER ELECTRO-PLATING

That's right, we now have a:

 GOLD STAR Pro plating system

Goldstar-LLXL.jpg (59795 bytes)
The Industry's Premier Silver and Gold Plating System 

 Ask about having us Plate your Bell interior in
24 carat or  ROSE GOLD 

  

Our Work Schedule 2010:  

4-13-10  Gold Plated The Martin Soprano 64,xxxWWS horn gets a Vintage Standard Rebuild WWS Done

4-18-10 Silver The Martin Tenor 184K "USMC":  Done

5-7-10 Buffet SDA Alto 18K:  Done

5-14-10 Armstrong Low A Baritone: Done

5-25-10 Conn 10M  Done

5-28-10 Martin Committee 2 Alto: WWS Done

6-1-10 J. Keilwerth 1934 New King Alto:  Nickle plated WWS horn gets a Standard Vintage Rebuild with flat metal resos. WWS Done

6-11-10 The Martin Alto:  WWS horn gets a Standard Vintage Rebuild with flat metal resos. WWS Done

6-17-10 Silver Buescher Big B:  Silver plated WWS horn gets a Standard Vintage Rebuild with flat metal resos for customer. Burnham Done

6-24-10 1948 Conn 6m Naked Lady a Chadd horn #327K gets a Standard Vintage Rebuild with flat metal resos and black Saxgourmet pads. Chadd Done

7-2-10 Buescher 400 Tenor #505K WWS horn gets a Standard Vintage Rebuild with Prestini rivetless dome metal resos. WWS Done

7-8-10 1928 Silver Conn Chu Alto:  Customer horn gets a Standard Vintage Rebuild with flat metal resos. Gowin DONE

7-20-10 King Super 20 Alto #415K:  WWS horn gets a Standard Vintage Rebuild with flat metal resos. WWS Done

7-28-10 Conn 6m:  customer horn gets a Standard Vintage Rebuild with flat metal resos. Nordquist In Progress

7-28-10 11945 The Martin Tenor:  WWS horn 153K gets a Standard Vintage Rebuild with Seamless Domed resos. WWS In Progress

If you wish to schedule a rebuild, or purchase one of our saxes and it still needs to be rebuilt,  send us  a 50% deposit and we will schedule it's rebuild before any of our other worldwidesax.com inventory. 

Home

Everybody loves these new Kangaroo skin pads, aka Saxgourmet  Pads and you can get them from Curt, at musicmedic.com you can request that any WWS stock be rebuilt with them, or just click this link and order some for yourself.

 

Hard to find:

Here is a helpful outline of SML serial Numbers:

Serial Number / Year

0001 – 3000  / 1934 to 1940

3000 – 5500 / 1940 to 1945

5500 – 8000 / 1945 to 1950

8000 – 12000 / 1950 to 1955

12000 – 16000 / 1955 to 1960

16000 – 19000 / 1960 to 1965

22000 – 24000 / 1970 to 1975

24000 – 26000 / 1975 to 1980

26000 – 27000 / 1980 to 1982

Here is a helpful outline of Keilwerth serial Numbers:

Keilwerth Serial Numbers:

1925: 0-800 

1933-5:  9000 

1941: 18,500

1947: #20,000

1953: #23,000

1958: #28,000

1960: #38,000

1962: #43,000

1964: #49,000

1966:  #55,000

1971: #69,000

1978: #79,000

1986: #91,000

1993. #99,100

1996. #104,00

1998:  #109,000

Keilwerth made The New King and Tone King  as their main brand names, from 1932 to 1969 or so, but there were always stencils, like Edgeware and later Couf.  Here are few of the other names you may find on Keilwerth made horns.  The new king and tone king saxes were identical except for a high F# key on the tone king model, but keilwerth marketed the Tone King as the "deluxe" Pro model and the New King as the "standard" Pro model

Known Keilwerth Stencils:

Couf Superba 1 & 2

 Royalist

Conn DJH

Buffet

Edgeware

Marco

Vincent Albert

Martelle

Winsall

Tam

Bundy Special

Armstrong

Heritage

King Tempo

Champion

Calvert Deluxe

Silvertone

Hammerschmidt (sopranos)

Keilwerth copiers, such as Amati,  Dörfler & Jörka (1949 to 1968, then purchased by Keilwerth) and B&S

H.Genet

Roxy

Jubilee

Voss

Silvertone

Rene Dumont

Keilwerth relatives:

Max Keilwerth and Richard Keilwerth (Graslitz) made saxes under the names:

Weltklang (baritones only)

Senator

Hohner

Here is a handy chart for King zephyr series:

Zephyr and Zephyr Special
Zephyr, "Series I": s/n 170xxx to 180xxx
Zephyr, "Series II": s/n 180xxx to 237xxx
Zephyr, "Series III": s/n 237xxx to 305xxx
Zephyr, "Series IV": s/n 305xxx to 423xxx
Zephyr, "Series V": s/n 423xxx to 540xxx
Zephyr Special: s/n 200xxx to 280xxx

1945 was the beginning of King's  Super 20's (s/n 272xxx)
and Zephyr "II"s (s/n 272xxx)

 

 

Alto Saxes

We have divided the "For Sale" items into categories to make it quicker to load, as they are graphic intensive.  Click on the thumbnail images to see a larger picture...

NEW SOUND FILES:

We are trying out a new feature, to help customers "hear" different models of saxes, in a Versus basis. Please tell us if you find these helpful. Thanks.

New sound file:  7-8-10: Here's a new Altos file: Buffet SDA vs King Marigaux SML vs The Martin Alto

First, Sarge playing Cool...

a Five Digit selmer mk vi, vs. a '36 zephyr, vs a SML Rev D <click here.

AND

Second, Chadd playing Hot...

a Five Digit selmer mk vi, vs. a King Super 20, vs a Conn 6m(RTH) <click here.

AND

Here's where I play/compare a Martin "The Martin Alto" to a King Super 20.  <click here.

 

3-25-10 SOUND FILE: a 5digit Selmer mk vi, vs a Big B vs. a The Martin Alto <click here.

 

 

 

ALTOS IN STOCK

 

JUST IN! ChaddBuescherGold4.jpg (287258 bytes)ChaddBuescherGold1.jpg (420206 bytes)ChaddBuescherGold2.jpg (468539 bytes)ChaddBuescherGold3.jpg (395087 bytes)ChaddBuescherGold6.jpg (425121 bytes)ChaddBuescherGold7.jpg (536035 bytes)  

1923 GOLD Buescher TruTone Alto:  (On Consignment "As is"--could benefit from minor sax tech work) Excellent condition Satin GOLD plated body and polished Gold keys is about 99% intact.  Was rebuilt by a famous Hollywood repair man in the late 1990s but sat in the closet ever since.  It has snap-in  resos and comes with original case in good condition. These have great 'old', woody tone but are tougher than later Aristos on intonation.  Considering how beautiful the Gold is, we will sell her for: 1325.00

buescher280a.jpg (346581 bytes)buescher280b.jpg (387136 bytes)buescher280c.jpg (632499 bytes)buescher280d.jpg (303816 bytes)buescher280e.jpg (450725 bytes)  1938 Silver Buescher "The Buescher" Aristocrat Alto:  Rare Silver version of the Aristo.  Think Johnny  Hodges tone, very dark.  Serial # 280, xxx, built about 1938.   Snap in pads and resos are still there as well as the norton springs. Original Silver finish is excellent, maybe +99%.  Just a little brass showing on the D palm key and some body tubes. Satin body with shiny keys and engraving area. Also has the preferred #01 neck and a goldwash bell..  No major damage EVER done to it.  I will do a complete rebuild/repad with metal backed buescher style pads and snap the reso's back in.  It comes in an original case that's in fair condition.  1999.00.

bigbsil1.jpg (52040 bytes)BIGBSIL3.JPG (66068 bytes)BIGBSIL2.JPG (41560 bytes)BIGBSIL4.JPG (47550 bytes)  1947 Silver Buescher Aristocrat "BIG B" Alto:  Rare Silver version of the Aristo.    Think Johnny  Hodges tone.  Serial # 314,xxx, built about 1947.   Snap in pads and resos are still there as well as the norton springs. Original Silver finish is excellent, maybe 90+%.   No major damage ever done to it.  There are a few keys and cups that the silver has worn off, i'm thinking about replating those... but will do whatever the buyer prefers. I will do a complete rebuild/repad with metal backed buescher style pads and snap the reso's back in.  It's in a Conn case that's in fair condition.  SOLD

Sound File: 5digit Selmer mk vi, vs a Big B vs. a The Martin Alto <click here.

ARISTO 345 A 004.jpg (450376 bytes)ARISTO 345 A 002.jpg (286946 bytes)ARISTO 345 A 001.jpg (386740 bytes)ARISTO 345 A 003.jpg (389582 bytes)  1952 Buescher Aristocrat Alto:  Original lacquer is great, maybe 88%.   Serial number 345k, i really like this model.  This is the transitional link, between the aristocrat and the buescher 400,   they play bigger than a Big B, due to the change from the parabolic, to the exponential bore, but retain the sweetness of the earlier model.  All the original snap in system is intact, so I plan to do a complete Buescher style rebuild and it will go for  1499.00

b400a334 003.jpg (491303 bytes)b400a334 004.jpg (293366 bytes)b400a334 001.jpg (373934 bytes)b400a334 002.jpg (450015 bytes) New / After pictures:BuescherAristo334Kafter2.jpg (299148 bytes)BuescherAristo334Kafter1.jpg (349915 bytes) 1951 Buescher Aristocrat Alto:  Serial number 334k, I really like this model.  This is the transitional link, between the aristocrat and the buescher 400,   they play bigger than a Big B, due to the change from the parabolic, to the exponential bore, but retain the sweetness of the earlier model.  This one's original finish isn't too pretty, and is only about 65%.  The neck had some pull down, which i repaired before the photos and i will remove a couple small dents in the bow area.   All the original snap in system is intact, so I plan to do a complete Buescher style rebuild and it will go for  1399.00  Just Finished, Ready to Blow!

ELKA1.JPG (138196 bytes)ELKA2.JPG (109818 bytes)ELKA3.JPG (73897 bytes)ELKA.JPG (73471 bytes)  Buescher "Elkhart" Alto:  Rare early Buescher that has traits of both the Trutone and Aristo, with the small bell for a more focused, sweeter sound.  Think Johnny  Hodges tone.  Nice engraving of an Elk on the bell.  Pro features at a intermediate/step-up horn price.  We just finished a French Standard rebuild on her and that is included in the price of  799.00.  

BuffetSDAalto18,8xx6.jpg (239492 bytes)BuffetSDAalto18,8xx5.jpg (378027 bytes)BuffetSDAalto18,8xx4.jpg (529220 bytes)BuffetSDAalto18,8xx3.jpg (543794 bytes)BuffetSDAalto18,8xx2.jpg (260074 bytes)BuffetSDAalto18,8xx1.jpg (395006 bytes)  1972 Buffet Super Dynaction Alto Sax.  These compare very favorably to the famed Selmer Mark VI, usually ranked #2.  Known for its rich tone and smooth action it is a well designed, heavy horn keeps it's adjustment well and is very reliable.  The serial number is 18,8xx, which means it was made in 1972.   Original Lacquer is about 85% although there are some scratches (see pics).  the 70's models had a little more edge and some folks prefer them.  Included is the original hard case which is still in solid shape. I will do a "French Standard" rebuild, but substitute large flat metal reso's, for the selmer style plastic ones. 2059.00  Just Finished

Sound File: Buffet SDA vs King Marigaux SML vs The Martin Alto

B&S_alto 001.jpg (607301 bytes)B&S_alto 004.jpg (421762 bytes)B&S_alto 006.jpg (303275 bytes)B&S_alto 005.jpg (503911 bytes)B&S_alto 007.jpg (348555 bytes)B&S_alto 003.jpg (527436 bytes)  Vintage B&S "Blue Label" alto:  German made alto, from the same company  who manufactured the 1st Dave Guardala line of horns, and the Allora and Medusa horns, as well as their own line.  The lacquer on it is 99%; the keys are nickel plated.   This is definitely an East German horn: stamped "made in GDR" on the back, so it would have been manufactured before 1989.  This neck is triple gold plated, looks great.  I must say, this is a great sounding alto, German horns are dark and complex sounding.  It has many cool Pro features, like a high F# key, ribbed stacks and palm keys for added strength,  adjustable thumbrest, 3 position neckstrap hook... more.    The case (I'm not sure if it is original or not) is in good condition and sturdy. 1299.00  

gpchualto 001.jpg (351445 bytes)gpchualto 002.jpg (391290 bytes)gpchualto 004.jpg (292699 bytes)gpchualto 003.jpg (232279 bytes)gpchualto 005.jpg (347318 bytes)  Conn GOLD Plated "CHU" Alto: On Consignment, ser # M 184,xxx, a 1920s model.  This baby is a Gold plate that had also been lightly lacquered at one time (this was very popular in the 40's, to reduce tarnish), that 40's lacquer, is mostly gone now...but the gold remains, almost 96% original gold.  Neck and body look great.  Excellent "Chu" with nailfile G#, rolled tone holes, tuning neck, everything we love.  Original Gold plate model, in excellent overall condition, comes with a nice new case, just a very few small solder repairs that are almost unnoticeable.  Just rebuilt with tan music medic pads and flat metal resos, natural cork throughout, and new springs.  These Gold Plated Chu's are rare and have such a huge sound.  I have tweaked this one, it's beautiful and really blows.  This one is ready to go.  1599.00    

chualto148k1.jpg (307571 bytes)chualto148k2.jpg (516572 bytes)chualto148k5.jpg (548949 bytes)chualto148k4.jpg (342239 bytes)chualto148k3.jpg (1136075 bytes) Silver Conn "CHU" Alto: Ser.# m148,xxx.  Excellent "Chu" with nailfile G#, rolled tone holes, tuning neck, Goldwash bell, everything we love.  Original Silver plate and Satin Silver highlights model, in very nice overall condition.  Now, if you've never played a Chu, they are stunningly powerful altos...big fat sound top to bottom.  Ergos are not that great, but i know a lot of players that play them in spite of the 20's design and would never switch to a Selmer.   I will repad it, with a Conn-style, french standard repad (aka, a vintage rebuild, a 899.00 rebuild).  1399.00 

tranny1.jpg (260259 bytes)tranny2.jpg (165370 bytes)tranny3.jpg (187659 bytes)  Conn Tranny "CHU" Alto:  Ser # 244,xxx, a 1931 model.  Excellent "Chu" with  Art Deco engraving,  nailfile G#, rolled tone holes, tuning neck, everything we love.  It has been very nicely relacquered and looks nice and vintage (see pics).   I will repad it, with a Conn-style, standard repad (aka, a vintage rebuild). 1299.00  

conn6m262e.jpg (536803 bytes)conn6m262d.jpg (475735 bytes)conn6m262b.jpg (349315 bytes)conn6m262a.jpg (488396 bytes)conn6m262c.jpg (380875 bytes)conn6m262f.jpg (901092 bytes)  Conn "Tranny Era" Alto:  Ser #262,xxx, a 1935 model.  Excellent end of the Tranny era 6M with  Naked lady engraving,  6m style G# cluster, rolled tone holes, New York neck (no problematic micro-tuner),  adjustable RH thumb hook, everything we love.  It has been very nicely relacquered and looks nice and vintage (see pics).   It was just repadded in early '09 elsewhere (pads look great), with a selmer-style, standard repad1599.00.  Ready to blow....

6M322 009.jpg (202294 bytes)6M322 007.jpg (296069 bytes)6M322 003.jpg (393685 bytes)6M322 008.jpg (329485 bytes)6M322 002.jpg (244624 bytes)6M322 006.jpg (375711 bytes)  1947 Conn 6m Alto:  Naked Lady,  Ser # 322,xxx  in good overall shape with Original lacquer.  It features Rolled Tone Holes, fine tuning neck adjuster... This one has a nice big sound and has the characteristic Conn edge.   I will do a "French Standard" rebuild, but substitute large flat metal reso's, for the selmer style plastic ones (aka, a vintage rebuild).  1699.00  Just Finished   Ready to blow....(it's the actual sax in the sound sample below)

SOUND FILE: a Five Digit selmer mk vi, vs. a King Super 20, vs a Conn 6m(RTH) <click here.

ChaddConn6m327K1.jpg (293960 bytes)ChaddConn6m327K2.jpg (413305 bytes)ChaddConn6m327K3.jpg (450841 bytes)ChaddConn6m327K4.jpg (366341 bytes)ChaddConn6m327K5.jpg (439838 bytes)ChaddConn6m327K6.jpg (383278 bytes)ChaddConn6m327K7.jpg (354211 bytes) 1948 Conn 6m Alto:  (Consignment from Chadd) Naked Lady,  Serial #327,5xx  in good overall shape with Original lacquer at about 60%.  It does not have Rolled Tone Holes, but does have the fine tuning neck adjuster, also one roller in the pinky cluster is not original. We'll see if there's a better match here at the shop.  This one will also have a nice big sound and has the characteristic Conn edge.   Chadd will do a Vintage rebuild with natural cork throughout, add some quieting Premium extras & Saxgourmet Black Kangaroo Skin Pads and put large flat metal reso's.   1699.00  Just Finished

coufs1alto91k1.jpg (289386 bytes)coufs1alto91k2.jpg (293220 bytes)coufs1alto91k4.jpg (650752 bytes)coufs1alto91k5.jpg (420348 bytes)coufs1alto91k3.jpg (331429 bytes)  Couf Superba One Alto, By J. Keilwerth:  S# 91xxx, made sometime between 1965 and 1968, nice early Superba 1, these are noted for a very big, warm sound, that is full of harmonics and body.  The serial number on the neck matches the body. i really like the older ones, they are tone machines.   Made about 1968, the early models are rare, especially in nice condition... and finish is very good, perhaps 70%, with the usual wear and scratching.  Body is very straight, no dings or dents.   Below the thumb rest is stamped "MADE IN WEST GERMANY EXCLUSIVELY FOR W.T. ARMSTRONG COMPANY BY JULIUS KEILWERTH MUSICAL INSTRUMENT FACTORY"     It has been completely repadded (elsewhere) with premium pads and smooth, domed stainless steel resonators (like the originals).   It comes with the original case with average wear(some reglued stitching), but is completely functional. 1999.00 Ready to blow....Really plays great!

dolnet_alto 009.jpg (319894 bytes)dolnet_alto 004.jpg (284858 bytes)dolnet_alto 001.jpg (374111 bytes)dolnet_alto 002.jpg (436017 bytes)dolnet_alto 003.jpg (403303 bytes)dolnet_alto 008.jpg (292944 bytes)dolnet_alto 005.jpg (452713 bytes)dolnet_alto 006.jpg (364293 bytes)  Dolnet Series II Silver Plated Alto Saxophone:   1940's Vintage, S/N 24,xxx   Here's a great vintage alto all original silver plate.  This alto comes from the mid 1940's.  Dolnet is a great French made saxophone in production since the 1880's.   I haven't had one in here for a couple years,  these 40's models are nice heavy horns, stronger metal than the Bel air model, with a big Conn type sound, that is warm and fat.   I will do a "French Standard" rebuild, but substitute large flat metal reso's, for the selmer style plastic ones (aka, a vintage rebuild) and that is included in our price of  1249.00

newk alto 003.jpg (473128 bytes)newk alto 001.jpg (293636 bytes)newk alto 002.jpg (428353 bytes)newk alto 006.jpg (286227 bytes)newk alto 005.jpg (200218 bytes)newk alto 004.jpg (227779 bytes)  1960 "The New King" Julius Keilwerth:   This is an older (and the coolest) S# 38k, with the "winged" keyguard.  The original Lucite plastic one was broken, but i had a Keilwerth metal replacement guard, which I 24carat gold plated to match the sax, it looks great.    This model has a darker tone, with good projection, it can shine on ballads or be bop, with the right mouthpiece.  Original lacquer, but not much left, maybe 50% counting the lacquer under the keys... maybe the loss of lacquer is why this one has such a beautiful tone.  1499.00.

newk9026a.jpg (224399 bytes)newk9026b.jpg (218640 bytes)newk9026c.jpg (259041 bytes)  Julius Keilwerth "New King" Alto:  by my own chart, i figure this one to be a 1934-5 model--nickel plated.  It very unique and cleverly designed, somewhat like a Conn 6m, but with ergonomic improvements.  The side keys are similar to a martin committee design, with the two piece mechanism, but the touch pads are oval and angled to hit your index finger's side perfectly. The G# table is like a 6m, but the G# key is a pearl that has had a "fingernail file" cut into it.  German horns are dark and complex sounding.  I just did a "French Standard" rebuild, but substitute large flat metal reso's, for the selmer style plastic ones (aka, a vintage rebuild).   1699.00 Just Finished-- and very impressed with the booming low-end & darkness to the entire sound.

king60a.jpg (37356 bytes)king60d.jpg (58791 bytes)king60c.jpg (45149 bytes)king60b.jpg (37003 bytes)  1924 King H.N. White Alto:  Real strong saxes, nice feeling keywork.  80% Original nickel silver plate.  Opposed bell keys, Front hi F key, G# trill Eb trill,  S# 60,7xx low pitch.  Really bad old pads actually played nicely in tune from low C to high F (couldn't get any lower on these pads).  999.00  Sale 100.00 off now 899.00

ZEPHR35.JPG (114680 bytes)ZEPHR35A.JPG (115092 bytes)ZEPHR35B.JPG (120858 bytes)ZEPHR35C.JPG (141099 bytes)ZEPHR35D.JPG (121865 bytes)ZEPHR35E.JPG (148933 bytes)ZEPHR35F.JPG (92703 bytes)   1935-7 King Zephyr Alto:  Late 1930's King Zephyr alto was kings pro line at that time.  Lacquer is original but spotty (not that pretty) with brown and clay colors, at about 60% coverage.  These are very strong horns with a medium bright sound, but flexible with different mouthpieces.  Serial is # 173,xxx, really nice engraving.   It has had our Complete repad with Selmer Style plastic resonators,  keywork is nice and tight, no play.  We removed a couple dents from the bow and a slight push at the thumbrest and bell to body tube support, otherwise this one was in really excellent overall physical condition.   Original case  included, in fair shape.  1299.00 READY TO GO ("Sarge says" this is one of the nicest, richest sounding altos we have, check it in the link)

Sound file: Five Digit selmer mk vi, vs. a '36 zephyr, vs a SML Rev D <click here.

 

zep328e.jpg (383389 bytes)zep328a.jpg (541717 bytes)zep328b.jpg (590426 bytes)zep328c.jpg (389651 bytes)zep328f.jpg (419117 bytes)zep328d.jpg (459084 bytes)  1952-3 King Zephyr Alto:  Early 1950's King Zephyr alto was kings standard at that time, so similar in design and body that it is affectionately known as the poor mans Super 20.  Lacquer is original but spotty and has many fine scratches, with a nice brown patina on the bell engravings area and neck, at about 60-70% coverage.  These are very strong horns with a medium (not too dark / not too bright) sound, but flexible with different mouthpieces.  Serial is # 328,xxx,  nice engraving... it has several small dents we will burnish out.  It will get our Complete  standard Vintage repad,  keywork is nice and tight, no play.  1399.00

KingSuper20alto411k 005.jpg (483924 bytes)KingSuper20alto411k 008.jpg (536902 bytes)KingSuper20alto411k 006.jpg (312351 bytes)KingSuper20alto411k 003.jpg (329146 bytes)KingSuper20alto411k 004.jpg (415891 bytes)KingSuper20alto411k 007.jpg (477280 bytes)KingSuper20alto411k 001.jpg (533210 bytes)KingSuper20alto411k 002.jpg (520827 bytes)  King Super 20 Alto Saxophone:  Serial #411,xxx  indicates a 1965 manufacture, in Cleveland, Ohio (not Eastlake).  Brass bell, Sterling Silver neck, with nickel keys / rods and brass key cups. These magnificent horns are well known for the huge sound and power that they bring to an ensemble, and the horns from this vintage are regarded by most as the finest saxes ever made. This particular instrument is in very good condition. Lacquer is original, and about 85% present, looks very nice, vintage. There are a few dents here and there I will do my best to remove, but the pads and action feel very tight and this horn plays well.  It will get our Complete Standard Vintage repad with flat resos + rivet,  keywork is nice and tight, no play.  Original case  included, in fair shape.  3699.00  JUST FINISHED, READY TO GO!

Sound File: Five Digit selmer mk vi, vs. a King Super 20, vs a Conn 6m(RTH) <click here.

KingSuper20alto415xxx_5.jpg (386628 bytes)KingSuper20alto415xxx_1.jpg (295701 bytes)KingSuper20alto415xxx_2.jpg (410676 bytes)KingSuper20alto415xxx_3.jpg (379070 bytes)KingSuper20alto415xxx_4.jpg (443688 bytes)KingSuper20alto415xxx_6.jpg (365008 bytes) King Super 20 Alto Saxophone:  Serial #415,xxx  indicates a 1965 manufacture, in Cleveland, Ohio (not Eastlake).  Brass bell, Sterling Silver neck, with nickel keys / rods and brass key cups. These magnificent horns are well known for the huge sound and power that they bring to an ensemble, and the horns from this vintage are regarded by most as the finest saxes ever made. This particular instrument is in very good condition. Lacquer is original, and about 80% present, looks very nice, vintage. There are a few solder marks near key guard mounts and a tone hole or so; also a few dents here and there I will do my best to remove, but the pads and action feel very tight and this horn plays well.  It just received our Complete Standard Vintage rebuild with seamless domed Pisoni resos,  keywork is nice and tight, no play.  Non-Original case included, in fair shape.  Expect this to be a Super 20 sound with a little kick from the resos. 3699.00 Just Finished

MarCom1 005.jpg (379119 bytes)MarCom1 002.jpg (535307 bytes)MarCom1 004.jpg (447931 bytes)MarCom1 001.jpg (620550 bytes)MarCom1 003.jpg (452159 bytes)  Martin Committee 1 alto:  S# 122xxx on both the body and neck that dates it to appx 1938.  Famous for Solid Nickel keywork, soldered on toneholes, heavy walled body, big warm tone.  This is a very well done relacquer, with the engravings still looking good, as seen in the pics.  It has the Eagle with star and Skyline with searchlights engraving and adjustable thumb rest. There are no major dents just a few small ones that i will remove, when i do a complete "Vintage style" rebuild on her (included in the price) 1199.00 

mar2alto140xxx1.jpg (462051 bytes)mar2alto140xxx3.jpg (442630 bytes)mar2alto140xxx2.jpg (570799 bytes)mar2alto140xxx6.jpg (371602 bytes)mar2alto140xxx7.jpg (449433 bytes)mar2alto140xxx4.jpg (401302 bytes)mar2alto140xxx5.jpg (533595 bytes)  1940 Martin Handcraft Committee II Alto: Serial number 140,0xx. Original lacquer 80%. Beautiful vertical Martin engraving on entire bell and standing lion engraving too. There is one small resolder mark at the low C# post. There is a very minimum amount of dings or evidence of previous ding removal, we will burnish any we find and make it look great. The pads are shot but we got a nice sound out of the middle notes.  It is a very nice playing saxophone, so i have just done a complete rebuild, with our "Vintage Standard" set up, Prestini NS tan lambskin pads and flat metal reso's.  Original case is just fair, but usable.  1699.00 Just Finished, ready to play

Just In: chaddMartinComm2alto139K_1.jpg (445011 bytes)chaddMartinComm2alto139K_2.jpg (456615 bytes)chaddMartinComm2alto139K_3.jpg (255170 bytes)chaddMartinComm2alto139K_4.jpg (416191 bytes)chaddMartinComm2alto139K_5.jpg (416924 bytes)  1940 Martin Handcraft Committee II Alto: (On Consignment from Chadd) Serial number 139,xxx. Original lacquer 75-80%. Beautiful vertical Martin engraving on entire bell and standing "lion & crown" engravings too. There are a few smaller dings in the bow, we will burnish any we find and make it look great. The pads are shot but we know that these are very sweet sounding horns.  so chadd will do a complete rebuild, with our "Vintage Standard" set up, Prestini NS tan lambskin pads and flat metal reso's.  The vintage green case is in OK shape, but we don't think it's a martin original--all latches work with leather trim starting to get loose on the edges. 1699.00

Just In: TMA166xxx7.jpg (324766 bytes)TMA166xxx2.jpg (514311 bytes)TMA166xxx5.jpg (524324 bytes)TMA166xxx1.jpg (1256976 bytes)TMA166xxx3.jpg (440074 bytes)TMA166xxx6.jpg (401602 bytes)TMA166xxx4.jpg (511844 bytes)  1948 The Martin Alto:  serial #166xxx.  One of the worlds best sounding altos.  The sax is in good shape with no significant dings or dents.  There is some very light pitting on the bell section, back of the body, and keys.  The keys and rods all seem to be working properly.  The pads appear to be in decent shape.  Matching serial number on the neck. The original lacquer has the martin  fabrication sticker near the bow!  Comes with a nice vintage black hardcase (may not be original).  There are no dents, she just needs a complete vintage style rebuild, which i will do and that's included in the price of  1849.00  Just finished ON HOLD

Sound File: Buffet SDA vs King Marigaux SML vs The Martin Alto

king sml alto 002.jpg (541105 bytes)king sml alto 006.jpg (226106 bytes)king sml alto 004.jpg (190847 bytes)king sml alto 001.jpg (493057 bytes)    1970  King Marigaux SML alto saxophone:   It is in good condition over all. The lacquer is worn in places with about 95% remaining, it looks so good we can't be sure if it's original or redone.   The serial number is 26,xxx so appx. 1970 model.   All the Marigaux's have the Selmer style straight tone holes, this one also has some adjusting screws and some of the 23 features, it also has a High F# key.  It's in it's original case, which is in good shape.  There are no dents, she just needs a complete vintage style rebuild, which i will do and that's included in the price of  1999.00 Just finished 

Sound File: Buffet SDA vs King Marigaux SML vs The Martin Alto