SOLD - A very rare #10*!!! with a 4-digit ser#: 8453, with horizontal machining mark on the table (prior to repairs) dates it to the early era of the 1960s.
It arrived with an unlevel table and tip, however, It was worked on here at WWS. Although it seems a bit low for a 10*, 0.110" is the current measurement. Prior to the work, the table had horizontal machine lines and you can see the small amount I left near the window. These are made of stainless steel and are extremely hard to work on; however at a #10* I knew I wanted to save it/improve it.
It plays big and robust - not for the beginner.
Now there is a bite pad installed over the very small indents on the bite pad.
At the time of this listing I do NOT have a ligature in the shop for this. But you are free to inquire; that fact may change.early 4-digit vintage series with side-to-side machining on the table (meaning: the early era of likely the 1960s).
Item:WWST1.2W5.0W0.02081.8-C60
About: Chadd Berry
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Martin 1925 ‘Handcraft’ Bb Soprano, Gold Plate #51k (Archived)
SOLD - Serial #51k, Straight Bb soprano in rare gold plate (heavy tarnish but beautiful underneath!). It looks like it will be in excellent condition.
The first inspection says that it is in great shape with denting to the bell (from setting on the sax stands too hard). I will work on the bell lip - the good news is that the metal is thick and strong.
CASE: It arrived without a case, however, we can discuss acquiring a nice one included in the price.
Martin sopranos are some of Sarge's and my favorites! They are well-built in strong metal. Intonation is easy to enjoy and I'll test a few mouthpieces when possible.
Yamaha ‘YTS-475’ Bb Tenor, #C22k (Archived)
SOLD - Another pretty example, a well-loved sax that will advance any growing player--youth-adult. This is one of Yamaha's Intermediate, yet very high quality, saxes. This is the next generation from the YTS-52 model.
Cosmetic condition rating: 9.0+ *********
Item #:WWS1E1.2E9.95.01311.8-C0
Vito ‘LeBlanc’ Bb Tenor, #220,241 (Archived)
SOLD - Cosmetic condition rating: 8.5 *** Plays great after tune ups! Nice hard case.
Selmer ‘”Soloist” – C**’ Tenor, 2010s Long Scroll Shank – 0.080″ (Archived)
SOLD - New era design is a copy of the vintage horseshoe chamber. The horseshoe chamber appears to be between the eras of the short shank and the long shank design -- splitting them 50/50 in width and height! I think there's some real hope in this one!!!
Used, in excellent condition.
Otto Link ‘”Tone Edge” #7’ Tenor, Rubber, 1990s – 0.102″ (Archived)
SOLD - Originally bought new in a large lot from the 1990s. Note, oddly enough, the ligature is a bit loose to be a good fit.
Medium Chamber - built for "classic Jazz".
[like new, in excellent condition.]
This is NOT like the new ones that are hit and miss. This is a quality Otto Link material and design.
Buffet 1967 ‘Super Dynaction (SDA)’ Bb Tenor, #13,9xx (Archived)
SOLD - Original Lacquer at about 70%, this SDA was used by a true musician on USO tours. Buffet Super Dynaction saxes are French in design and smooth in action, and also heavy in build - built like tanks! The sax did have some mild pull-down damage in the past and we will repair/align the neck once we start work.
REBUILD: This sax will need/get a full rebuild, bath, and "acid+ treatment" - included! - to remove the small areas of green growth. It will come alive. I would recommend a WWS Standard Vintage Rebuild with tan pads and flat resos, but you are welcome to upgrade any component to your liking.
CASE: Original Buffet it arrived in is pretty shot. Expect me to purchase and new Protec ($200-250) to pair this sax with.
Buescher 1967 ‘400’ Bb Tenor #429k (Archived)
SOLD - This is a nice 400 model made about a year after the Selmer takeover ser. # 429,xxx. The finish is original and to me, looks very handsome. It has the same body, neck with underslung octave mechanism and keywork as the famous older brother the "Top Hat" model, but with nickel plated keys. Buescher still made great 400's through the sixties, this one was made appx. 1967. It has a warm centered tone, but can be pushed hard with a metal mouthpiece. The Lacquer is original and about 85%, but the neck and the inside of the bell are nearly worn to bare brass.
These are some of the most undervalued horns on the vintage market.
Ready to Go! (ask me about my available cases to pair with it)
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