SOLD - Rare. Stunning condition. Deluxe JK. A silver plate, professional Julius Keilwerth with high F# key, and G# trill, and the plastic guard in tact. If this is for the collector in you, I might even throw in a JK slimline mouthpiece to the sale of my baby. She is not perfect, as you can see the dreaded sax-stand scratches on the bell.
PADS: She was rebuild elsewhere with black roo pads and plastic resos. (The pads are far too new/nice for me to be unhappy with the setup that was choosen, so I will leave them. JK would have had domed-metal resos originally.)
CASE: Original "JK" emblemed, green case in excellent condition. It's super cool to see these with the case, but they are hard to trust for safety of the plastic guard.
Item #:CP-WWS1E5.7E8.58.10181.7-98
Otto Link ‘Super Tone Master – 5’ Tenor, FL-Double Band – 0.081″
SOLD - Full Package: Box, ligature and cap! Who doesn't love a double-band? It arrived with a 0.079" tip that had a poor tip seal and unlevel table. I hate altering these great pieces, ...but it needed done. This era is a great era of mouthpieces and it now plays easy after the refacing work.
TONE: Huge tone/resonance in the low end, a more medium tone in the middle and high ranges. Evenness and sultry. This era is known for ....greatness.
I know you'll want to try this one.
WWS Refacing work: pending - seal plating (silver and gold on the table/entire mouthpiece!), included at the listing price.
PRICING OPTION: Ask me about refacing it, opening it up some more. Realistically, the max tip to get to on this one will be about 0.090-095". For the pricing of $1,199.00, this will also include plating the repairs.
(Thus, that is why the mouthpiece is in it's rough, arrival condition. PLATING WILL HAPPEN ONCE YOU HELP ME LOCK IN THE TIP SIZE. I only want to plate it once.)
Item#: WWS3.0S0.0S0.10201.7-C15
Meyer ‘6S “Made in USA”‘ Tenor, 1970s (RAC reface)- 0.100”
SOLD - It's tip at 0.100" is now closer to a [Meyer 9]. It plays with a bold presence due to the boost of treble from the baffle during the refacing. i would say this is a ca. 1970's mfg. It's in excellent condition and of course i sent it to Bob to perfect the tip and facing. He has made this one a .100" tip , with a 22mm facing length.
Gregory ‘Model B, 4A 18’ Tenor, 1940s(+/-) Ser# 6265 (Archived)
SOLD - Original tip measures 0.065". The brother to the Model A (Paul Desmond on alto), the Model B is quite different. It is a slimmer design (pictures) and the chamber has flat sidewalls--not a round exit like the Model A. In tone, it is more focused with more reedy tone than the Model-A. The beak continues to be very shallow, so no biting without protection. I found a substitute ligature to fit.
Item:WWS5S0.00.12261.2-0-2
Olds 1940s ‘Super’ Bb Tenor, Silver #1,08x (Archived)
SOLD - The rare OLDS Super tenor sax - in superb condition! These are strongly linked to Martins - think: Committee 1 & 2 blended. These are very well built saxes. There was a tone of love and craftsmanship in this era. This sax arrived in what I believe is likely the original pad setup from that era! - it is only a rivet in the pads, no resonators. The tone of it is thus muted and tubby. I should capture this for history's sake! At any rate, with a proper pad setup these will have a focused core tone and the small bore acts much like a Committee 1 & 2. The silver in very well intact, the neck has the matching serial number... CONS: There is solder evidence near the neck insert. My plan, address some of that on the body neck receiver, and silver plate any repairs (aka: make it awesome!). Otherwise, the sax is in excellent condition!
BEAUTY NOTE: I tried capture the luster of the pearls - I couldn't with a camera! These pearls glimmer with a green/turquoise hue that is so beautiful. I've also taken extra photos for documentation; and you'll notice that I have anti-tarnished/polished a few areas as a test. Enjoy!
CASE: A vintage wood case, with a white/yellow interior fuzz; likely the original also! It's only in "OK+" shape. A horn of this caliber should demand a new case, but I hate to separate the original parts.
REBUILD: Included in the price is a WWS Standard Rebuild: Prestini Tan pads, Resos at 60%+ (flat nickel with rivet), natural cork throughout, plus extra love for OLDS keywork. Ask me about special gold plating on the engraving or other ideas that we are considering.
2016 added research (to be continued): Prior to growing internet knowledge, Sarge used his collection and experience to help with the history and profiles on saxes. This horn needs an update to documentation: The CA company employed a former Martin employee. Thus the strong link in design from Martin. Was is made by Martin?-No; but you can clearly see the direct similarities.
Item #:WWS1S0.2S0.00.661.7-0
Brilhart ‘Level-Air 5*’ Tenor, 1973 Ser#73,173 – 0.089″(Archived)
SOLD - This mpc is a nice free blowing mpc with a tip measuring 0.089". Tooth pad in excellent shape. It blows easy and with a big sound with heavy mid tones for a metal, cliff-style baffle. Vertical denim table marks date it to the 70s as well. These are made of stainless steel.
Currently paired with the original ligature and cap (these are often lost and someone may try to separate these from me).
Item:WWS0W0.0W0.12071.6-C0
Woodwind Co. ‘New York “B6″‘ Tenor, (BP Refaced) – 0.110” (Archived)
SOLD - Terrific material and good classic design. Large chamber makes for a big vintage sound. It arrived with the engraved "BP 0.110" on the side with excellent finish work by Brian - Super professional! I liked it but I felt that it was missing ... just that 'extra umph'. It is opened up a ton from the original to a easy blowing 0.110" with a 25mm facing length.
SML 1952 ‘Revision D’ Bb Tenor, Silver #9,74x (Archived)
SOLD - A stunning example of a Rev. D, previously owned by Peter Ponzol (with documentation), and the famous SML sound that people crave. COLLECTOR PACKAGE: Complete set with original SML rubber mouthpiece, ligature and cap, and end plug. Also, there is a vintage lyre that is so unique, it's a new sight for me! I will definitely document it for the "Cool Stuff" area on the website. I will honestly try to not write too much on this one. The photos should tell you all you need to know. ***However, I will say that there is that extra "it" factor in the tone when I play it - It's just special. (Bias note: I love JK's and SML's as I own and play a SML Rev D alto.) There is only one negative to mention - and that is the small crack at the seam of the bell flare. Due to the horn's amazing condition, this must be a factory flaw and it is recommended to "leave it be". There are no dings and pings that jump out at me to mention. The neck looks excellent to match.
REBUILD: It was worked on at the MusicMedic Pro Shop for their high-end Rebuild in 2014 (before some key personnel changes - hint) and it plays fantastic. The work at that time was billed at $1,980. The workmanship is fantastic and the horn plays effortlessly. It was setup with black kangaroo pads, and seamless domed resos(slight dome). The springs are blue steel needle springs and the tension is "medium-fast"(via WWS),
CASE: original hard case in fantastic shape to match, green interior, sleek outside.
Item#:WWSConsMP-8091.7-MM14