Recent Posts by Chadd

Conn 1928 ‘New Wonder II – “Chu Berry”‘ Bb Tenor, Silver, Custom #211k

$3,499.00(+) - Specifics Pending: OK!, this great sax that has seen better days. These are great players, so I wanted to make it someone's perfect gig sax! AND improve the cosmetics! Slightly abused, but nothing major. LET'S MAKE IT AWESOME.
Named: "Hotrod", Ser.# m211,xxx. another great "Chu" in original silver, with gold wash bell (in good shape) with nailfile G#, rolled tone holes, everything we love. Overall it's in good condition with minor wear only on a few key tops and rods! Upon initial inspection, there was one main 'damage story' in its past: the lower edge looks to have taken a knock, the bell-to-body brace needs resoldered, the rear body tube will need aligned to the bow (de-soldered damage), and address the front knock, address dents to the high palm keys, messy solders, remove the unnecessary lyre holder, The Front F rocker arm went missing but I'll fabricate a replacement of some sort (if not, replace it with a spare one!). Just call her by Name: "Hot Rod".
Now, if you've never played a Chu, they are stunningly powerful tenors...big fat sound top to bottom. Ergos are not that great, but I know a lot of players that play them in spite of the 20's design and would never switch to a Selmer.
WWS SPECIAL CUSTOM PROJECT - "Hot Rod - The Super Gigger"
Item #: CONSD10W.0W0.00.01311.8-C0

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Selmer 1988 ‘USA – AS100’ Eb Alto, Silver Plate #824k

REDUCED $2,299.00 - A entry-professional Selmer from the late 1980s - Model AS100(Omega). At #824k I will estimate its dating at 1988. Rare Silver plate in 97% condition. These are one of the best kept secrets in the sax world.--pro sax, "selmer", with all the ergos and tone you're after. Most people mistake the "USA" on the bell for the later student-line. Do not be fooled! She arrived with a few missing screws (I will replace with silver ones to match!) Future Rebuild: The specifics are yet to be decided. I would love to plan a Full Rebuild on this one with special pads and/or resonators. I'll shine up all the silver, and help her sing the doors down! Comes with a great Selmer hard case (like the Series I, II, III have) without the leather wrap, although the handles were repaired. Ask me about those.
Cosmetic Rating: 9.0
This sax will be a super cool sax!

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Selmer 1987 ‘USA – TS100’ Bb Tenor, #826,5xx

$1,799.00 - One of the secret gems in the whole sax world! I have plans with this sax to be a great Pro Tenor for a player on a "budget". Let me explain: a Pro, Selmer, Tenor... for under $3000. That is a very hard thing to offer. I'll do my best to help you all out.
CASE: original hard case in good+ shape, hard wood rectangle style, added latch.
Serial #826,5xx, Original lacquer finish at 65%. It was worked on to 'ok playing' condition and I want to have you help make it your own. It had lost the pants guard & F# guard--I'll try to add a proper replacements. This sax also had some neck repairs done that are worth mentioning. I gave that some love and helped round out the tubing. I will also do more during the repair work.

Item #:WWS6.4E0.4161.6.C0

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Selmer 1963 ‘Mark VI’ Bb Tenor, #108k

SOLD - #108k, player/collector's delight, ORIGINAL lacquer 75%! Will need a full rebuild to be fully enjoyable, however, I will tune it up so that you can play test it on the old pads. There are signs of past dent work in the bell and bow, one noticeable dent on the front bow guard, evidence of minor pull-down that was repaired well.
SOUND: This sax has a great resemblance in sound to the early 5-digit selmers. NOTE: rumor has it that the great craftsmen of the late 50s were still working on the Mark VIs through about #110xxx. This means that you can have that 5-digit tone in a sax like this and save $1000-4000 off that early-era pricing.
CASE: used protec case(blue) in nice shape.

Item #:WWS5W0.00.841.6-50ConsignmentKD

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SML 1968 ‘A. Cojan’ Eb Alto, Stencil, Silver #21,xxx (Archived)

SOLD - #21k, silver plate, Finish: Original Silver body & keys,with elements of the Rev D (1950s? key guards) and King Marigaux tone holes and high F#. It also has the SML gold springs. This sax will prove to be one that perks my interest in research and tone. It's a very heavy build, with good weight perhaps from the plating.

It will need a fully rebuild to enjoy. Judging by the sheer power/boldness in this model, I might recommend we discuss how to keep the resonators a 'medium' size -- pad upgrades encouraged.

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