Recent Posts by Chadd

Conn 1936 ‘Chu-Transitional-12M’ Eb Baritone, #271k (Archived)

SOLD - For the Gerry Mulligan lovers! ... Ser#271k, Original finish at 90%--color is great! LADY FACE/Naked Lady pentagram engraved on the bell.  It needs a rebuild.  She arrived with lots of dents and dings. I'll work those out.  The neck ring was replaced with a 1940s king zephyr three-ring neckstrap ring (this is actually a good thing for you players). The only other 'bad' worth mentioning, is the Opt F# guard has been lost. I have found a 12M replacement part!! (in bare brass).  There are some dents on the back side that I want to improve and the body tube will straighten during the rebuild; I have no worry there. Case: currently has the Conn-wrapped original. Let's talk about upgrading this...$300? 
Let's get it rebuilt with a WWS Rebuild ($1200+) and let's talk about the special rebuild details you want on this one.  larger brass resos?!? This sax will be a great player with a huge tone!; don't forget the insane market-desire on this model for the Collector in you.

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Selmer 1988 ‘USA – AS100’ Eb Alto, Silver Plate #824k (Archived)

SOLD - A entry-professional Selmer from the late 1980s - Model AS100(Omega). At #824k I will estimate its dating at 1988. Rare Silver plate in 97% condition. These are one of the best kept secrets in the sax world.--pro sax, "selmer", with all the ergos and tone you're after. Most people mistake the "USA" on the bell for the later student-line. Do not be fooled! She arrived with a few missing screws (I will replace with silver ones to match!) Future Rebuild: The specifics are yet to be decided. I would love to plan a Full Rebuild on this one with special pads and/or resonators. I'll shine up all the silver, and help her sing the doors down! Comes with a great Selmer hard case (like the Series I, II, III have) without the leather wrap, although the handles were repaired. Ask me about those.
Cosmetic Rating: 9.0
This sax will be a super cool sax!

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Martin 1957 ‘The Martin Tenor’ Bb Tenor, #202k (Archived)

SOLD - Another great Martin here at WWS. It's a 75% Original Lacquer "The Martin Tenor" purchased from the 2nd owner. These are super hard to find and always in high demand. The serial numbers match on the Neck and Body #202k dates it to 1957, Martin's have a great tone that is quickly becoming very well respected in the market--clean tone, resonant low end!, even tone throughout, and better than average ergos for the vintage sax world. CASE: Original case was in rough-stinky shape... So I will be pairing this sax with a NEW PROTEC CASE ($142). It's getting our Vintage Standard Rebuild with large flat metal resonators (75% sizing, which is larger than Standard) and natural cork throughout. Item#:WWS12.0S0.251.5-C5-17

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Buffet 1940s ‘SA 18-20’ Bb Soprano, Silver #2,889 (Archived)

SOLD - Buffet soprano (rare), in silver!(RARE), keyed to high F; also with SOLDERED ON TONEHOLES! (like a King or Martin) Once you geek-out on sax specifics, some players prefer and require soldered toneholes for the sound they seek.

Original case in good shape. Pads, the owner says, were invested in not long ago. There was a high level of PC work done prior to the sax arriving, consider the pads 'playing great on older pads' . It's worth mentioning that the lyre holder is removed (post solder evidence on the backside--good thing you don't want that anyway!) Notice the modern keywork!: Articulated G#+B, palm key design (not In-line)!

I must say that the uniqueness of this sax is the huge factor to this one. I was testing several mouthpieces (along with client--Doctorate in Sax) to see if this was perhaps a sax that he was searching for. Short Conclusion: After many mouthpieces, we conclude that the original mouthpiece (not present) must be crucial for the best optimum intonation. Overall it's a playable sax, where the biggest intonation issue was over the break (C2 to D2). The sax will need a vintage mouthpiece for best performance.

I have only seen one other similar sax for sale; it wasn't silver, nor was it labeled with the main parent company names as a flag-bearer.

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Buescher 1955 ‘Aristocrat II – Big B’ Eb Baritone, #351,41x (Archived)

SOLD - WWS REBUILD in buescher snap-in pads, Finish: Original Lacquer at 50%.
Serial number 351xxx. 60+% Original Lacquer, The Big Bs are famous for a BIG warm sound with rich low notes--resonant low end the fills the room, probably due to some help from the big bell flare. Mid-range gets a little thin but the low notes make up for it. These fit very well in jazz or concert bands. Intonation is pretty good all-round, C# is non-articulated, but my biggest complainant on the model is the lack of pants-guard on the backside. Beyond that, the Big B Baritones have a cult following who seek that fat warm sound.
This sax has a a WWS Rebuild on it. We originally sold it to a local customer who chose to sell it back to us due to their life changes. I will happily tune our pad-work up and send it out playing as good as I remember it.

CASE: It came back with the original case (working, yet poor condition). We can talk about case options for this one.

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Meyer ‘6S “Made in USA”‘ Tenor, 1970s (RAC reface)- 0.100”

SOLD - It's tip at 0.100" is now closer to a [Meyer 9]. It plays with a bold presence due to the boost of treble from the baffle during the refacing. i would say this is a ca. 1970's mfg. It's in excellent condition and of course i sent it to Bob to perfect the tip and facing. He has made this one a .100" tip , with a 22mm facing length.

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