SOLD - Vintage Selmer mouthpiece - Art Deco logo, fluted side walls, slide on ligature and cap set! It is all in good condition with silver plating intact. The chamber is round and medium-small-medium as was standard on this model.
Conn 1931 ‘6M – Art Deco Transitional’ Eb Alto, GOLD #246k (Archived)
SOLD - Exquisite, Rare, Beautiful. Extremely Clean. In original, burnished gold plate and in fantastic condition. Is there anything that I can really say here? This deluxe 6M is one of the first as they came off the line.
Brilhart ‘Designed by Arnold Brilhart, Great Neck NY – #3’ Tenor, Streamline – 0.079″ (Archived)
SOLD - Rare Streamline (thinner) model with in fantastic condition. With AB ligature. Great for the player with alto embouchure; but really for the collector
Otto Link ‘Four **** Model – 4*’ Tenor, (WWS Reface) – 0.099″ (Archived)
SOLD - WWS Refaced - In bare brass finish, this mouthpiece plays big and warm. These have a huge chamber, low baffle and a very reserved, warm tone.
Selmer ‘”Soloist C*”- now F*’ Tenor, 1950s Short Scroll Shank, (Refaced)- 0.095″ (Archived)
SOLD - Won't last! - Great Player! One of the most desired mouthpieces with a modernized tip. Made of excellent quality hard rubber. It arrived with the refacing work done. It has facing length at 25mm.
Selmer ‘”Soloist C*”- now F’ Tenor, 1950s Short Scroll Shank, (Refaced)- 0.090″ (Archived)
SOLD - Won't last! - Great Player! One of the most desired mouthpieces with a modernized tip. Made of excellent quality hard rubber. It arrived with the refacing work done. It has longer facing length at 26mm.
Woodwind ‘Meliphone Special – B5*’ Alto, (Mojo Refaced) – 0.080″ (Archived)
SOLD - Refaced by Mojo. This mouthpiece has straight side walls into a larger throat/chamber than narrows back to the neck bore size. Terrific material. The Mojo reface looks excellent, as always, and his markings are: "46, 080, Mojo +5".
Kolhert 1957 ‘Model 57’ Eb Alto, #35k (Archived)
SOLD - A rarer sax from the pinnacle of the Kolhert factory. Model 57 is considered their best sax. Ā "...They just sound really, really good. They are much like a vintage Keilwerth, although a bit 'edgier' than a Keilwerth; and a bit more 'aggressive' and 'wider' in tone than a French orĀ ItalianĀ horn.Ā Intonation tends to be quite good."
- 1
- 2