Category Archives: Baritones

Archived Baritones

Conn ‘Eagle’ Baritone, 1920s – 0.070″

SOLD - The original tip is 0.070" right now. Help direct us to how best to size the time to you (It will likely not go higher than 0.105"). Notice the lower walls cutout for comfort - cool! A great large chamber mouthpiece made of hard rubber mouthpiece from the golden era. If you want it closer to original with minor inspections and enhancements, the price will be $229.00
These were commonly paired with New Wonder I or II saxes originally.
Item #:WWSL8E3.11091.7-003

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Conn ‘Eagle’ Baritone, 1920s – 0.062″ (Archived)

SOLD - The original tip is 0.062" right now. Large chamber. Notice the lower walls cutout for comfort - cool! A great large chamber mouthpiece made of hard rubber mouthpiece from the golden era. If you want it closer to original with minor inspections and enhancements, the price will be $229.00. I offer this for the more traditional player...or those with less air.
These were commonly paired with New Wonder I or II saxes originally.
Item #:WWSL5E5.11091.7-004

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Buescher 1955 ‘Aristocrat II – Big B’ Eb Baritone, #351,41x (Archived)

SOLD - WWS REBUILD in buescher snap-in pads, Finish: Original Lacquer at 50%.
Serial number 351xxx. 60+% Original Lacquer, The Big Bs are famous for a BIG warm sound with rich low notes--resonant low end the fills the room, probably due to some help from the big bell flare. Mid-range gets a little thin but the low notes make up for it. These fit very well in jazz or concert bands. Intonation is pretty good all-round, C# is non-articulated, but my biggest complainant on the model is the lack of pants-guard on the backside. Beyond that, the Big B Baritones have a cult following who seek that fat warm sound.
This sax has a a WWS Rebuild on it. We originally sold it to a local customer who chose to sell it back to us due to their life changes. I will happily tune our pad-work up and send it out playing as good as I remember it.

CASE: It came back with the original case (working, yet poor condition). We can talk about case options for this one.

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Selmer 1985 ‘Super Action 80 Series I’ Eb Baritone, Low A #376k (Archived)

SOLD - Strong Selmer build, keyed up to F#, down to low A... Here's a real gem. Save your money from the Series II and strongly consider this Series I. Ser#376k dates it to 1985. In original lacquer and overall in good condition. This horn was loved and used all at the same time and has been in the closet for 10 years. There are a few bumps to mention: Eb guard had foot resoldered, and bell lip shows signs of straightening work, also some other common dents/dings from chairs and use.
PADS: Currently it is in the original pads (tan with metal resos). They do play well to Low A but I would recommend some near-immediate maintenance. (PC bill: $200+). They could be stretched longer and a full rebuild is optional, not required.
CASE: A hard case with the Buffet logo on it. It is in good condition.
REBUILD: Optional! - This listing is for "as is", but I would advise a new owner to plan to put in $200-400 of small repairs into it. Or you could hire WWS to rebuild it as part of the purchase. Depending on how the numbers work out, you basically end up with a -$200 savings off a regular rebuild price. please inquire.
Item #:WWSConJN4W3.0W1.00.6281.7-0

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Rousseau ‘Jazz Model JDX #6’ Baritone – 0.103″ (Archived)

SOLD - A hard rubber mouthpiece that is a great addition to any player and especially those on a budget. I really admire the Rousseau company for making quality mouthpieces that don't break the bank. New pricing is $140-190.00 ... come quick!
Marketed Description via WWBW:
"The JDX series of jazz mouthpieces features a unique wedged baffle that allows the performer to balance a stable sound with maximum power, edge and projection"
Item: WWSL3W6.2W5.6281.7-003-0

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Grassi 1993 ‘Professional 2000’ Eb Baritone, Low A #64k (Archived)

SOLD - A superb baritone that will blow the doors down! This Grassi has a tone that blows us away for its "crispness" & "bark". It reminds me of Keilwerth bark, but with slightly less spread in the harmonics. "Professional 2000" engraved under the serial #, elongated C/Eb key touches (added modern comfort). There are other great features also: Grassi's elaborate tube rings, bell engraving, F#-arm adjustment screws, ...note that there is no high F#. There were ding dings/one dent to mention on the lower, front bow--*I can take this dent out; It will clean up nicely. There may be a few small pings on it too. She's not perfect, but she is very very pretty. 
Not many people have ever played a Grassi, even more so, there is not a ton of information on these. These were "Made in Italy" and do have a respectful following - as long as you are working with the professional model. This #64k is later in the factory run.
CASE: Original Grassi Hard case. It is a little lighter-grade, (light, and a little flimsy) but overall it's in excellent condition.
FINISH: Original Lacquer Body & Keys.
SOUND: Powerful, presence, a little "bark", crisp. This is not ideal for quiet chamber work. (I really liked the tone with a Medium Chamber mouthpiece best -- see: similar to Yamaha 5C or Meyers, as an example.)
PADS: Current pad setup is original and plays very well.  It has tan pads and larger metal resonators - nickel; with a seamless, light dome; and no-rivet.
I think you could fall in love with this sax as-is and enjoy it for several years without needing major pad work. I am happy to tune up the sax with some precision. There are minor things that I'd love to perfect.
Any one who actually knows what these horns offer will agree with the common statement: "These horns are highly undervalued, and offer you more for the money than many others in the same price range". Item #:WWS2E4.6E3.35.222.17-F

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