SOLD - A beautiful ONE-OWNER HORN. She's pretty. Need I say more? Ser #218k, ORIGINAL FINISH at 95%, with mostly original pads. Kept in the closest for the past 30 years. The original case is even plush inside.
Conn 1936 ‘Chu-Transitional-12M’ Eb Baritone, #271k (Archived)
SOLD - For the Gerry Mulligan lovers! ... Ser#271k, Original finish at 90%--color is great! LADY FACE/Naked Lady pentagram engraved on the bell. It needs a rebuild. She arrived with lots of dents and dings. I'll work those out. The neck ring was replaced with a 1940s king zephyr three-ring neckstrap ring (this is actually a good thing for you players). The only other 'bad' worth mentioning, is the Opt F# guard has been lost. I have found a 12M replacement part!! (in bare brass). There are some dents on the back side that I want to improve and the body tube will straighten during the rebuild; I have no worry there. Case: currently has the Conn-wrapped original. Let's talk about upgrading this...$300?
Let's get it rebuilt with a WWS Rebuild ($1200+) and let's talk about the special rebuild details you want on this one. larger brass resos?!? This sax will be a great player with a huge tone!; don't forget the insane market-desire on this model for the Collector in you.
Conn 1932 ‘6M’ Eb Alto, Transitional #253,3xx (Archived)
SOLD - The lowest-priced, rolled-tone-hole Conn that I've ever listed!!! One of the sought after Conn 6M Serial #s 253k, with rolled tone holes, G# trill key and underslung octave. Some medium damage to mention happened to the lower bow and some major damage to mention is the top of the neck. This may or may not be worth the worry to fix. I'm open to discussing it.
PADS: It has a recent tuneup from unnamed, out of state shop... most all the pads look decent except 1-3. Tan Pads & plastic resos.
TONE: It will be rich like a 6M. Expect it on the darker side due to the Ser#.
CASE: Currently with a vintage Martin case that is a poor fit. I wonder if I have something better around the shop...
Martin 1960s ‘Imperial’ Bb Tenor, #305k (Archived)
SOLD - Here is a sleeper sax! - I love Martins and most knowledgeable people do too. This sax has the richness in the tone that Martins are known for. It's a lighter horn too! This makes it great for a student, or especially marching band or pep band (that's why I scouted this one). Cosmetic Rating: 7.3 -- some vintage wear and tear. CASE: Yes. TBD - I have to pair it with one. All Student/Intermediate saxes come with, at least, a mouthpiece... and usually anything that came in the case with that sax.
Selmer 1951 ‘Super Balanced Action’ Bb Tenor, #43,32x (Archived)
SOLD - A One-Owner horn that was bought IN Paris while on military travels - selected and "a special order one", according to grandpa. This horn was played to the respectful level; aka: often & with love. It was loved enough to be preserved through a relacquer as well (antique value aside). There is no need to talk about this sax's sound quality. It plays with a smoky tone as expected, with the warmth and clarity of an SBA. The finish is an 90% relacquer; most of the wear is on the neck. Serial #47,32x dates it to the beginning of the 1951 year.
PADS: They are are a mix of three eras: alright, old, and older. You are welcome to discuss tune-up work with WWS or opting for a complete rebuild.
CASE: a square Protec case in good condition.
Conn 1930 ‘New Wonder II – “Chu Berry”‘ Bb Tenor, Silver Art Deco #243k (Archived)
SOLD - A matte restoration sax: Overall, this sax is in good condition with high mileage as a player and unknown history. Here's one of the most in demand Conn Tenors with the Art Deco engraving. The silver is deceiving to the eye because it could fool many people; I noticed some very hidden marks that lead me to conclude that the silver was re-plated later. I have not verified whether or not this was silver to begin with. I am willing to discuss with you more about that under a more detailed inspection. (During the rebuild, I expect to find more clues.) Two resolders to mention, Eb trill guard and the low C guard. The only complicated fix for me to handle is the E-rod-brace (this is in the center of the E3 span). I'm happy to discuss options with you. I'll fix this sax up with a vintage rebuild and make it sing for the above price. ERGOS: Late-era Chu with the tilted E3 lever on the side (a plus!). Most people will find these "old" and "awkward", however, you'll find many Conn lovers who would never trade their Chu for a Selmer (tone preferences). SOUND: Expect a huge, robust Conn tone with the early "smoke" of a true vintage sax. CASE: Original, old, wood Case in good usable shape.
Item #:WWS1S6.0S0.12061.6-C0517
Yamaha 1990s ‘YAS-52’ Eb Alto, #00719x (Archived)
SOLD - Another great step-up alto, ser#007xxx, Original Lacquer at 97%. They are clean sounding, comfortable playing saxes, with great intonation. Few saxes can be 'intermediate' and get so much praise.
PADS: Pads play great and show more age and use (goes with the finish = pretty sax)
CASE: comes with original hard case in nice shape.
Cosmetic rating: 9.6
PC work Complete
Item #:WWSCON-MK1S0.5S0..00.01101.8-C15
Selmer 1988 ‘USA – AS100’ Eb Alto, Silver Plate #824k (Archived)
SOLD - A entry-professional Selmer from the late 1980s - Model AS100(Omega). At #824k I will estimate its dating at 1988. Rare Silver plate in 97% condition. These are one of the best kept secrets in the sax world.--pro sax, "selmer", with all the ergos and tone you're after. Most people mistake the "USA" on the bell for the later student-line. Do not be fooled! She arrived with a few missing screws (I will replace with silver ones to match!) Future Rebuild: The specifics are yet to be decided. I would love to plan a Full Rebuild on this one with special pads and/or resonators. I'll shine up all the silver, and help her sing the doors down! Comes with a great Selmer hard case (like the Series I, II, III have) without the leather wrap, although the handles were repaired. Ask me about those.
Cosmetic Rating: 9.0
This sax will be a super cool sax!